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Encoding and Decoding Neopersian Poetry, Riccardo Zipoli, Rome: Cultural Institute of the Islamic Republic of Iran in Italy, 1988.

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Encoding and Decoding Neopersian Poetry, Riccardo Zipoli, Rome: Cultural Institute of the Islamic Republic of Iran in Italy, 1988.

Published online by Cambridge University Press:  01 January 2022

Michael Beard
Michael Beard*
Affiliation:
University of North Dakota
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Type
Reviews
Information
Iranian Studies , Volume 23 , Issue 1-4 , 1990 , pp. 105 - 107
Copyright
Copyright © Association For Iranian Studies, Inc 1990

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References

1. The passage in question has also been translated recently by Jerome W. Clinton in Edebiyat n.s. 1.2 (1989): 101-27.

2. It is the ghazal which begins “Bahr-e āb-e tang kay hommat-e mā āshnā gardad,” taken from the edition by B. Taraqqi. This may be the place to acknowledge that the choice of Sa'eb is probably programmatic: the Italian Persianists have taken more seriously the Iranian interest in the Indian style than we have, and have made a clear effort to accept a classical canon which stretches into the 17th century.

3. In Frye, Richard N., ed., Neue Methodologie in der Iranstik (Wiesbaden: Harrassowitz, 1974), 331-52.Google Scholar Windfuhr also opens with an analysis of Shams-e Qays.