The post-1948 mass migration of Jews from Arab Muslim countries to Israel is widely seen by scholars as a direct result of decolonization and rising nationalism across the Middle East and North Africa, coupled with the emigration and immigration policies of regional powers. In this article I draw on local histories of northern Morocco to critique the existing literature. I apply new methods to reconceptualize that migratory experience as shaped by social and cultural processes, albeit ones that interacted with nationalist state policies. I provide a multilayered macro- and microanalysis of the process of Jewish emigration from northern Morocco and point to the transregional, interpersonal, communal, and institutional networks that jointly shaped the dynamic character and pace of migration to Israel (and to Europe and the Americas) among local Jews.

Samy Elmaghribi was a mid-twentieth century Moroccan superstar. From his debut in 1948 through his professional zenith in 1956, the Jewish musician was a ubiquitous presence on radio and in concert. His popularity owed to his pioneering of modern Moroccan music and to his performance of Moroccan nationalism through song and on stage. Elmaghribi's brand of anti-colonial nationalism, however, was not that of any particular political party. Instead, he espoused what might be termed, “Moroccanism,” a territorial nationalism that placed Sultan Mohamed ben Youssef at its center. Like Elmaghribi, it enjoyed widespread support. This study demonstrates that a focus on musical culture gives voice to mainstream forms of Moroccan nationalism that have received little scholarly attention to date. It also points to the active participation of Jews in postwar MENA societies. Finally, this article reconsiders the dynamics of decolonization through study of Elmaghribi's career, which spanned colony and independent nation.

By using the narrative approach and linking it to feminist research ethics and critical race methodology, this article seeks to understand how non-literacy and poverty hinder low-income women's access to justice and how these women experience the Moroccan state. The state here acts as an oppressive and marginalizing entity in women's lives, but also offers the potential for empowerment. This ethnographic study tells the stories of three victims of gender-based violence to demonstrate that the state needs to (1) set up an efficient and responsive infrastructure for those lacking know-how and money; (2) institute proper training of state agents for implementation of laws and to prevent them from acting on personal opinions and attitudes with regard to women's rights; and (3) strengthen procedures so that state agents can respond expeditiously to the needs and grievances of citizens.

This paper explores shifting notions of Algerian masculinities during the Dark Decade (approximately 1991–2002) as articulated through humor. Both in the period leading up to and during conflict, Algerian cartoonists and joke tellers played with socially accepted norms concerning male behavior. In the armed struggle, however, comedy reflected how the terrifying and random violence that characterized the conflict may have disturbed local gender relations and definitions. The conflict prevented men from practicing masculinity in preestablished ways, most notably through the protection of self, family, and community. The present article contributes to the broader literature on gender during the armed struggle as well as in the Middle East and North Africa more widely, to argue that humor, a critically under-considered aspect of the cultural lives of Algerians and men across the region, provided civilians with space to navigate changes in gender issues brought about by the harrowing circumstances of the Dark Decade.

During the final years of Ottoman rule and the three decades of British rule, Palestine witnessed the emergence of a community of professionally trained Palestinian Arab doctors. This study traces the evolution of the medical profession in Palestine against the background of the shifting cultural and symbolic capital of an expanding urban middle class and the educational possibilities that enabled this development. Palestinian Arab doctors are examined through a number of interconnected prisms: their activity in social, political, and professional regional networks, their modus operandi under British colonial rule, their response to Zionism and its accompanying influx of immigrant Jewish doctors, and their ability to mobilize collectively under a shared national vision.

The tadhkira (biographical anthology) represents one of the most prolific and prevalent categories of texts produced in Islamicate societies, yet few studies have sought to understand the larger processes that governed their production and circulation on a transregional basis. This article examines and maps the production, circulation, and citation networks of tadhkiras of Persian poets in the 18th and 19th centuries. It understands tadhkiras of Persian poets as a transregional library that served as a repository of accessible and circulating texts meant to be incorporated, reworked, and repackaged by a cadre of authors separated by space and time. By relying on a macroanalytical approach, quantifiable data, and digital mapping, this article highlights the overall construction of the transregional library itself, the impact of state disintegration and formation on its constitution, and the different ways authors on opposite ends of the Persianate world came to view this library by the end of the 19th century.