Fadwa Tuqan, Assia Djebar, and Latifa al-Zayyat are three Arab women who are well known for their literary and artistic creativity, as well as for their political activism. Each has written at least one autobiographical work charting her struggles in the personal, political, and literary arenas, and each has chosen to express these struggles in terms of finding a voice that resists silence but also acknowledges that silence is a form of resistance.1 In writing their autobiographical works, these women are interested in creating not simply a female autobiographical tradition but, rather, a tradition that specifically does credit to their need to authorize their voices without posing as authorities from above, to write narratives that are simultaneously antiauthoritarian and authoritative, and to do so by speaking for and on behalf of others without appropriating them or subsuming them into their own agendas. Their autobiographical works are thus marked, and ultimately enriched, by tension, hesitation, and anxiety, particularly regarding their own power and authority as authors. This hesitation enables them to express collective sorrows and dreams in this seemingly most individualistic of genres.2