Hostname: page-component-78c5997874-j824f Total loading time: 0 Render date: 2024-11-18T13:17:57.974Z Has data issue: false hasContentIssue false

POP CULTURE ROUNDUP

Review products

HishamAidi, Rebel Music: Race, Empire and the New Muslim Youth Culture (New York: Vintage Books, 2014)

Daniel J.Gilman, Cairo Pop: Youth Music in Contemporary Egypt (Minneapolis, Minn.: University of Minnesota Press, 2014)

MaluHalasa, ZaherOmareen, and NawaraMahfoud, eds., Syria Speaks: Art and Culture from the Frontline (London: Saqi Books, 2014)

Published online by Cambridge University Press:  28 November 2018

Joel Gordon*
Affiliation:
Joel Gordon is a Professor in the Department of History, University of Arkansas, Fayetteville, Ark.; e-mail: [email protected]

Extract

Two decades ago I published an article in this journal about Egyptian biographical films. It was the first study published in IJMES about Arab/Middle East film and the first to feature photographic illustrations. The editor sent it to four reviewers, some presumably to check my history, others my cultural scope. Three approved wholeheartedly, but one protested that IJMES should not publish a piece that was not based upon “Arabic sources.” Admittedly, there was little critical literature in Arabic on this topic; my primary theorization came from a recent study of Hollywood “biopics.” But Stephen Humphreys, the forward-thinking editor, recognized that my “Arabic sources” were the films analyzed and disregarded the negative review.

Type
Review Article
Copyright
Copyright © Cambridge University Press 2018 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

NOTES

1 Gordon, Joel, “Film, Fame and Public Memory: Egyptian Biopics from Mustafa Kamil to Nasser 56,” International Journal of Middle East Studies 31 (1999): 6179CrossRefGoogle Scholar.

2 Some of the best recent edited collections are van Nieuwkerk, Karin, ed., Muslim Rap, Halal Soaps, and Revolutionary Theater: Artistic Developments in the Muslim World (Austin, Tex.: University of Texas Press, 2011)Google Scholar; Valassopoulos, Anastasia, ed., Arab Cultural Studies: History, Politics, and the Popular (New York: Routledge, 2013)CrossRefGoogle Scholar; Hamamsy, Walid El and Soliman, Mounira, eds., Popular Culture in the Middle East and North Africa: A Postcolonial Outlook (New York: Routledge, 2013)Google Scholar; Gruber, Christiane and Haugbolle, Sune, eds., Visual Culture in the Modern Middle East: Rhetoric of the Image (Bloomington, Ind.: Indiana University Press, 2013)Google Scholar; Hamdar, Abir and Moore, Lindsey, eds., Islamism and Cultural Expression in the Arab World (New York: Routledge, 2015)CrossRefGoogle Scholar; and Nieuwkerk, Karin van, Levine, Mark, and Stokes, Martin, eds., Islam and Popular Culture (Austin, Tex.: University of Texas Press, 2016)Google Scholar.

3 Gordon, Joel, “If the People One Day Decide They Want Life,” Bustan 8 (2017): 111–31Google Scholar.