Hostname: page-component-586b7cd67f-rdxmf Total loading time: 0 Render date: 2024-11-29T05:38:08.541Z Has data issue: false hasContentIssue false
  • English
  • Français

Notes on Marlowe’s “What We Talk about When We Talk about Provenance”

Published online by Cambridge University Press:  18 October 2016

Malcolm Bell III
Malcolm Bell III*
Affiliation:
Professor emeritus, McIntire Department of Art, University of Virginia, Charlottesville, VA, United States; Email: [email protected]
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Responses
Information
International Journal of Cultural Property , Volume 23 , Issue 3 , August 2016 , pp. 254 - 256
Copyright
Copyright © International Cultural Property Society 2016 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

REFERENCES

Chippindale, Christopher, and Gill, David. 2000. “Material Consequences of Contemporary Classical Collecting.” American Journal of Archaeology 104: 463–511.CrossRefGoogle Scholar
Cuno, James. 2007. “Art Museums, Archaeology, and Antiquities in an Age of Sectarian Violence and Nationalist Politics.” In The Acquisition and Exhibition of Classical Antiquities: Professional, Legal, and Ethical Perspectives, edited by Rhodes, Robin F., 9–26. Notre Dame: Notre Dame Press.Google Scholar