Hostname: page-component-78c5997874-s2hrs Total loading time: 0 Render date: 2024-11-07T05:21:19.207Z Has data issue: false hasContentIssue false
  • English
  • Français

Afro-Cuban Folkloric Dance in the Age of Intellectual Property

Published online by Cambridge University Press:  21 June 2018

Carolyn Renée Pautz
Carolyn Renée Pautz*
Affiliation:
Temple University, Philadelphia, PA, United States; Email: [email protected]
Get access Rights & Permissions [Opens in a new window]

Abstract:

This article analyzes drafts put forth by the World Intellectual Property Organization (WIPO) to examine the gaps that are created when institutions attempt to assign authorship of traditional knowledge and traditional cultural expressions to individuals and communities and how these gaps impact the use of folkloric dance in cultural institutions. The analysis produced via anthropological mappings of policy is underpinned with an examination of terminologies that circulate between fields of discourse, spiraling their way into public policies concerning marginalized peoples’ rights, economies of art, and intellectual property. This is followed by ethnographic accounts of Afro-Cuban folkloric dance classes, for it is in the dancing bodies that gaps between policies of authorship and the reality of unstable streams of transmission and reception materialize. By reproducing and circulating these unstable streams, combined with various legal doctrines put forth by WIPO, cultural institutions appropriate Afro-Cuban folkloric dance to commodify individuals and communities.

Keywords

Afro-Cuban folkloric dancecapitalfolkloreheritageintellectual propertyLucumiorishaPierre BourdieuWIPO
Type
Article
Information
International Journal of Cultural Property , Volume 25 , Issue 2 , May 2018 , pp. 179 - 201
Copyright
Copyright © International Cultural Property Society 2018 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

BIBLIOGRAPHY

Altglas, Veronique. 2014. From Yoga to Kabbalah: Religious Exoticism and the Logics of Bricolage. New York: Oxford University Press.Google Scholar
Aragon, Lorraine. 2012. “Copyrighting Culture for the Nation: Intangible Property Nationalism and the Regional Arts of Indonesia.” International Journal of Cultural Property 19: 269–312.CrossRefGoogle Scholar
Barry, Andrew, Osborne, Thomas, and Rose, Nikolas, eds. 1995. Foucault and Political Reason. London: UCL Press.Google Scholar
Berger, Peter. 1967. The Sacred Canopy. New York: Anchor Books.Google Scholar
Berger, Peter. 2014. The Many Altars of Modernity: Toward a Paradigm of Religion in a Pluralist Age. Berlin: De Gruyter Mouton.Google Scholar
Bilgrami, Akeel. 2014. Convergences: Inventories of the Past: Secularism, Identity and Enchantment. Cambridge, MA: Harvard University Press.Google Scholar
Bourdieu, Pierre. 1985. “Market of Symbolic Goods.” Poetics 14: 13–44.CrossRefGoogle Scholar
Bourdieu, Pierre. 1986. “The Forms of Capital.” In Handbook of Theory and Research for the Sociology of Education, edited by Richardson, J., translated by Nice, Richard, 241–58. New York: Greenwood Press.Google Scholar
Bourdieu, Pierre, and Passeron, Jean Claude. 1977. Reproduction in Education, Society and Culture, translated by Nice, Richard. London: Sage Publications.Google Scholar
Brandon, George Edward. 2009. “From Oral to Digital: Rethinking the Transmission of Tradition in Yoruba Religion.” In Orisa Devotion as World Religion: The Globalization of World Religious Culture, edited by Olupona, Jacob and Rey, Terry, 448–69. Madison: University of Wisconsin Press.Google Scholar
Brown, Michael F. 2005. “Heritage Trouble: Recent Work on the Protection of Intangible Cultural Property.” International Journal of Cultural Property 12: 40–61.Google Scholar
Buckland, Theresa. 1983. “Definitions of Folk Dance: Some Explorations.” Folk Music Journal 4, no. 4: 315–32.Google Scholar
Chatterjea, Ananya. 2013. “On the Value of Mistranslations and Combinations: The Category of ‘Contemporary Choreography’ in Asian Dance.” Dance Research Journal 45, no. 1: 4–21.Google Scholar
Coombe, Rosemary. 1998. The Cultural Life of Intellectual Properties: Authorship, Appropriation and the Law. Durham: Duke University Press.Google Scholar
Congdon, Kristin G. 1984. “A Folkloric Approach to Studying Folk Art: Benefits of Cultural Awareness.” Journal of Multi-Cultural and Cross-Cultural Research in Art Education 2, no. 1: 5–13.Google Scholar
Daniel, Yvonne. 2005. Dancing Wisdom: Embodied Knowledge in Haitian Vodou, Cuban Yoruba, and Bahian Candomblé. Chicago: University of Illinois Press.Google Scholar
DeFrantz, Thomas. 2012. “Unchecked Popularity: Neoliberal Circulations of Black Social Dance.” In Neoliberalism and Global Theaters: Performance Permutations, edited by Nielsen, Lara and Ybarra, Patricia, 128–40. New York: Palgrave Macmillan.Google Scholar
Dutfield, Graham. 2002. “The Public and Private Domains: Intellectual Property Rights in Traditional Knowledge.” Science Communication 26(2): 286–307.Google Scholar
Glancy, Jennifer. 2011. Corporal Knowledge: Early Christian Bodies. New York: Oxford University Press.Google Scholar
Harvey, David. 2007. A Brief History of Neoliberalism. New York: Oxford University Press.Google Scholar
King-Calnek, Judith. 2006. “Education for Citizenship: Interethnic Pedagogy and Formal Education as Escola Criativa Olodum.” Urban Review 38, no. 2: 145–64.CrossRefGoogle Scholar
Kraut, Anthea. 2016. Choreographing Copyright. New York: Oxford University Press.Google Scholar
Martin, Randy. 2002. The Financialization of Everyday Life. Philadelphia: Temple University Press.Google Scholar
Mendoza, Zoila. 1998. “Defining Folklore: Mestizo and Indigenous Identities on the Move.” Bulletin of Lain American Research 17, no. 2: 165–83.Google Scholar
Murphy, Joseph M. 2008. “Orisha Traditions and the Internet Diaspora.” In Orisa Devotion as World Religion: The Globalization of World Religious Culture, edited by Olupona, Jacob and Rey, Terry, 470–84. Madison: University of Wisconsin Press.Google Scholar
Nahachewsky, Andriy. 2001. “Once Again: On the Concept of Second Existence Folk Dance.” Yearbook for Traditional Music 33: 17–28.Google Scholar
Nielsen, Lara D., and Ybarra, Patricia (eds). 2012. Neoliberalism and Global Theaters: Performance Permutations. New York: Palgrave Macmillan.CrossRefGoogle Scholar
Savigliano, Marta. 2009. “Worlding Dance and Dancing Out There in the World.” In Worlding Dance, edited by Foster, Susan, 163–90. New York: Palgrave McMillan.CrossRefGoogle Scholar
Scott, James C. 1990. Domination and the Arts of Resistance. New Haven, CT: Yale University Press.Google Scholar
UNESCO. 1989. Recommendation on the Safeguarding of Traditional Culture and Folklore, http://portal.unesco.org/en/ev.php-URL_ID=13141&URL_DO=DO_TOPIC&URL_SECTION=201.html (accessed 1 November 2017).Google Scholar
Warner, Robert. 2010. Secularization and Its Discontents. New York: Continuum Publishing.Google Scholar
Warner, R. Stephen. 1993. “Work in Progress toward a New Paradigm for the Sociological Study of Religion in the United States.” American Journal of Sociology 98: 1044–93.Google Scholar
WIPO. 2014. “The Protection of Traditional Cultural Expressions: Draft Articles.” Intergovernmental Committee on Intellectual Property and Genetic Resources, Traditional Knowledge and Folklore. 28th Session. http://www.wipo.int/edocs/mdocs/tk/en/wipo_grtkf_ic_28/wipo_grtkf_ic_28_6.pdf (accessed 1 November 2016).Google Scholar
WIPO. 2016. “The WIPO Intergovernmental Committee on Intellectual Property and Genetic Resources: Traditional Knowledge and Folklore.” Background Brief, vol. 2. http://www.wipo.int/edocs/pubdocs/en/wipo_pub_tk_2.pdf (accessed 1 November 2016).Google Scholar
Wirtz, Kristina. 2014. Performing Afro-Cuba: Image, Voice and Spectacle in the Making of Race and History. Chicago: University of Chicago Press.Google Scholar