Hostname: page-component-78c5997874-dh8gc Total loading time: 0 Render date: 2024-11-06T11:42:46.437Z Has data issue: false hasContentIssue false

Places for Happiness: Community, Self, and Performance in the Philippines By William Peterson. Honolulu: University of Hawaiʻi Press, 2016. Pp. 258. ISBN 10: 0824875206; ISBN 13: 978-0824851637.

Published online by Cambridge University Press:  23 July 2019

Wayland Quintero*
Affiliation:
University of Hawai‘i at Hilo, Email: [email protected]

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Copyright
Copyright © Cambridge University Press 2019 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Taylor, Diana, The Archive and the Repertoire: Performing Cultural Memory in the Americas (Durham, NC: Duke University Press, 2003)CrossRefGoogle Scholar.

2 Warren, James F.. The Sulu Zone, 1768–1898: The Dynamics of External Trade, Slavery, and Ethnicity in the Transformation of a Southeast Asian Maritime State (Singapore: Singapore University Press, 1981)Google Scholar.

3 Desiree A. Quintero. “Inhabiting Pangalay ha Kulintangan as Suluk in Sabah, Malaysia.” Unpublished Ph.D. dissertation, University of Malaya, 2016.

4 Quintero, Desiree A., “Tiyula Itum and Pangalay: Suluk Anthemic Expressions in Sabah, Malaysia,” Borneo Research Journal 11 (2017), pp. 118–32CrossRefGoogle Scholar.

5 Quintero, Desiree A. and Nor, Mohd Anis Md, “The Curvilinear Ethnoaesthetic in Pangalay Dancing among the Suluk in Sabah, Malaysia,” Wacana Seni Journal of Arts Discourse 15 (2016), pp. 125CrossRefGoogle Scholar, http://dx.doi.org/10.21315/ws2016.15.1.

6 Russ Patrick Perez Alcedo, “Traveling Performance: An Ethnography of a Philippine Religious Festival.” Ph.D. dissertation, University of California Riverside, 2003; Alcedo, Sacred Camp: Transgendering Faith in a Philippine Festival,” Journal of Southeast Asian Studies 38:1 (2007), pp. 107–32CrossRefGoogle Scholar; Alcedo, How Black Is Black?: The Indigenous Atis Compete at the Ati-atihan Fesival.” in Dance Ethnography and Global Perspectives, eds. Dankworth, Linda E. and David, Ann R. (London: Palgrave Macmillan, 2014), pp. 3757CrossRefGoogle Scholar.