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History as Image: Changing the Lens
Published online by Cambridge University Press: 24 February 2017
Extract
History is constructed reality; yet, as historians we often select material and shape our interpretations without self-analysis. We assume that because we were educated to be objective, we undertake our research, analysis, and interpretation in an objective manner. We rarely question why we have chosen a particular issue to investigate or how far our understanding of the body politic existing in our own day colors our interpretation of institutions and events in the past. Once we have established ourselves in our field, how often do we change our perspectives, or even our focus? How often do we incorporate new ideas, or new perspectives, into our interpretations of the past? Only occasionally, I believe. Sometimes, though, when we read ideas that differ radically from our own, we may begin to interpret our own research data using a different lens or a different focus. Sometimes, we may begin to search for new material in order to investigate an issue, using perhaps a telephoto lens to probe into it more deeply than we had originally intended. And sometimes, we may even change our topic of investigation, swinging our camera to capture a fresh aspect of reality.
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- Copyright © 1987 by the History of Education Society
References
1. See Grill, Tom and Scanlon, Mark, Photographic Composition (New York, 1983), 13–14. Grill and Scanlon believe that a strong composition requires that the photographer detach him or herself from the scene in order to construct the photograph from the scene's individual components, working much as a painter does but under a very different time constraint. “In essence, composition is control.”Google Scholar
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