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The Delinquents: Censorship and Youth Culture in Recent U.S. History

Published online by Cambridge University Press:  24 February 2017

Ronald D. Cohen
Ronald D. Cohen*
Affiliation:
Indiana University Northwest
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Extract

Throughout the twentieth century, and even earlier, adults have attempted to publicly control, and even censor, teenagers' access to various artifacts of mass culture—including magazines, music, comic books, movies, television and radio programs, and books. The motivation has been twofold: to shield the young from certain perceived pernicious influences and to encourage a national cultural uniformity/conformity heavily motivated by Christian morality and the dread of racial (and class) mixing. Fears of youthful extremism, sparked by corrupting influences, have waxed and waned, depending on various social, political, economic, cultural, technological, and other configurations. But attempts at censorship have generally continued, earmarking even newer forms of mass communication, most recently cable television and the computer Internet. Any understanding of this development must take into consideration both the fears and motivations of the adult majority, as well as the complexities of modern youth culture, all within a larger national matrix. Adults' fear of youthful rebellion and their urge to control youth became particularly glaring during the 1950s, when the winds of change seemed particularly brisk.

Type
Articles
Information
History of Education Quarterly , Volume 37 , Issue 3 , Fall 1997 , pp. 251 - 270
Copyright
Copyright © 1997 by the History of Education Society 

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References

The Delinquents, a film directed by Robert Altman and starring Tommy Laughlin, Peter Miller, and Dick Bakalyan, was released by United Artists in 1957. The film's poster warns of “Teenagers in Turmoil, see for yourself—the ravaged lives in the adolescent jungles of America today. The kids who live today as if there's no tomorrow.” Google Scholar

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