Published online by Cambridge University Press: 13 May 2014
Ethnicity was evidently critical for the operation of the Atlantic slave trade, on both the African and the European sides of the trade. For Africans, given the general convention against enslaving fellow citizens, ethnic identities served to define a category of “others” who were legitimately enslavable. For African Muslims this function was performed by religion, though here too, it is noteworthy that the classic discussion of this issue, by the Timbuktu scholar Ahmad Baba in 1615, approaches it mainly in terms of ethnicity, through classification of West African peoples as Muslim or pagan. Europeans, for their part, regularly distinguished different ethnicities among the slaves they purchased, and American markets developed preferences for slaves of particular ethnic origins. This raises interesting (but as yet little researched) questions about the ways in which African and European definitions of African ethnicity may have interacted. Both Africans and Europeans, for example, commonly employed, as a means of distinguishing among African ethnicities, the facial and bodily scarifications (“tribal marks”) characteristic of different communities—a topic on which there is detailed information in European sources back at least into the seventeenth century, which might well form the basis for a historical study of ethnic identities.
In this context as in others, of course, ethnicity should be seen, not as a constant, but as fluid and subject to constant redefinition. The lately fashionable debate on “the invention of tribes” in Africa concentrated on the impact of European colonialism in the twentieth century, rather than on that of the Atlantic slave trade earlier—no doubt because it was addressed primarily to Southern, Central and Eastern rather than Western Africa.
An earlier version of this paper was presented at the Annual Conference of the African Studies Association, San Francisco, November 1996. My thanks to Christine Ayorinde for her assistance in identifying material on “Lucumi” in Cuba.
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