Published online by Cambridge University Press: 11 February 2009
1 See Schorske, Carl E., Fin-de-siède Vienna: politics and culture (London, 1980)Google Scholar; Janik, Allan and Toulmin, Stephen, Wittgenstein's Vienna (New York, 1973)Google Scholar; Johnston, William M., The Austrian mind: an intellectual and social history 1848–1938 (Berkeley, 1972)Google Scholar; McGrath, William, Dionysian art and populist politics in Austria (New Haven, 1974)Google Scholar; Vergo, Peter, Art in Vienna 1898–1918 (London, 1975)Google Scholar; Powell, Nicholas, The sacred spring: the arts in Vienna 1898–1918 (London, 1974)Google Scholar. Further: Field, Frank, The last days of mankind (London, 1967)Google Scholar; Morton, Frederick, A nervous splendour: Vienna 1888–9 (London, 1979)Google Scholar; Pollak, Michael, Vienne 1900: une identité blessée (Paris, 1984)Google Scholar; Shedel, James, Art and society: the new art movement in Vienna 1897–1914 (Palo Alto, 1981)Google Scholar. Stone, Norman, Europe transformed 1878–1919 (London, 1983), p. 407Google Scholar.
2 See American Vogue (October 1986), p. 420.
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