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Beat Wyss, Hegel's Art History and the Critique of Modernity, transl. Caroline Dobson Saltzwedel (Cambridge: Cambridge University Press, 1999), pp. xv + 288; 60 b/w illustrations. ISBN 0-521-59211-9. - James J. Sheehan, Museums in the German Art World: From the End of the Old Regime to the Rise of Modernism (Oxford: Oxford University Press, 2000), pp. vii + 258; 31 b/w illustrations. ISBN 0-19-513572-5.

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Beat Wyss, Hegel's Art History and the Critique of Modernity, transl. Caroline Dobson Saltzwedel (Cambridge: Cambridge University Press, 1999), pp. xv + 288; 60 b/w illustrations. ISBN 0-521-59211-9.
James J. Sheehan, Museums in the German Art World: From the End of the Old Regime to the Rise of Modernism (Oxford: Oxford University Press, 2000), pp. vii + 258; 31 b/w illustrations. ISBN 0-19-513572-5.

Published online by Cambridge University Press:  23 June 2015

Jason Gaiger
Jason Gaiger*
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The Open University
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Bulletin of the Hegel Society of Great Britain , Volume 25 , Issue 1-2: number 49/50 , 2004 , pp. 178 - 182
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Copyright © The Hegel Society of Great Britain 2004

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References

Notes

1 See, Dahlhaus, Carl, ‘Aufklärung in der Musik’, in Früchtl, Josef and Calloni, Maria, eds., Geist gegen den Zeitgeist. Erinnern an Adorno, Frankfurt am Main: Suhrkamp, 1991, p. 123 Google Scholar.

2 Sheehan, James J., German History: 1770-1866, Oxford: Clarendon Press, 1989 Google Scholar.