More than seventy years after Rudolf Bultmann delivered his famous lecture on the topic of “New Testament and Mythology” in 1941—initially on April 21 in Frankfurt am Main and again on June 4 in Alpirsbach—the program of demythologizing is still widely misunderstood, perhaps more so now than ever. Erroneous views have gradually accreted around Bultmann's original hermeneutic, so that now what is generally criticized under the name of “demythologizing” bears little resemblance to the intended program.

Aquila of Sinope, the legendary second-century translator and convert to Judaism, appears in both Jewish and Christian tradition. Recent literature on his famous Greek translation of the Hebrew Scriptures is surprisingly limited, however. Dominique Barthélemy's landmark monograph on the Minor Prophets’ scroll gives some significant introductory attention to Aquila and the influence of Rabbi Akiva upon him, but the study's influential (if traditional) conclusions cannot be considered final. Lester Grabbe, in particular, has critiqued Barthélemy's portrayal of Aquila as a zealous follower (“un chaud partisan”) of Akiva and of his characteristic manner of exegesis (especially the inclusive sense he gave the accusative particle ’ēt). If there are real reasons informing this conventional depiction of Aquila, for Grabbe, “no isolated theory linking a particular translation with a particular figure of Jewish literature can truly claim serious attention,” without considerably more information about how the whole spectrum of Greek recensional activity interacted with all the diverse forms of ancient Jewish interpretation. Grabbe offers an important critique. At the same time, he requires a considerable advance in our knowledge. Indeed, given many irremediable uncertainties touching the precise information Grabbe would demand, it is not clear how far conclusions in this area can ever be entirely distanced from conjectures.

Ancient polemicists claim that apocryphal texts contributed to the enduring popularity of the Origenist “heresy” in fourth- and fifth-century Egypt. The anchorite Sopatrus associates “apocryphal literature” with “discussions about the image,” shorthand for Origenist debates over the loss of the image of God in humanity, and urges his hearers to avoid both apocryphal books and the theological controversy they incite. In his festal letter of 401 CE, the archbishop Theophilus of Alexandria rails against Origenist teaching and urges Christians throughout Egypt to reject “Origen's evils” and disregard “Scriptures called ‘apocrypha.’” Shenoute's association of Origenist themes with “apocryphal books” in I Am Amazed demonstrates that non-canonical writings continued to occupy a central position in Origenist theological debates well into the fifth century.

One of the most notable Catholic personalities in Modernism, the well-known current of thought headed in Italy by Ernesto Buonaiuti, Giorgio La Piana deserves more thorough consideration. Like many priests and laymen, La Piana owed an intellectual debt to Buonaiuti, with whom he shared a common interest in the early history of the church as well as in medieval theologian and mystic Gioacchino da Fiore, who prophesied the advent of a spiritual church. They also enjoyed a long-lasting friendship. What distinguished La Piana among his generation of scholars, who gave rise to the so-called “Modernist crisis,” was his choice to migrate to the United States, where he acted as a bridge between American and Italian culture. Notably, he translated George Foot Moore's works into Italian and Buonaiuti's essays into English for publication in the Harvard Theological Review. La Piana became a point of reference for some Italian scholars of the history of the church and religions who had studied under Buonaiuti (such as Alberto Pincherle, Mario Niccoli, Ambrogio Donini, Giorgio Della Vida, and Arturo Carlo Jemolo) and who had considerable problems with the fascist regime. It was often thanks to La Piana that they managed to make contact with the intellectual and academic worlds in the United States.

The short biblical story of the blasphemer (Lev 24:10–23) received a unique mystical and mythical interpretation in the Zohar. When carefully examined, the zoharic homilies of the story reveal the hidden influences of Jewish polemic anti-gospel traditions. This essay exposes the strong link between the biblical blasphemer and Jesus, as well as between the blasphemer's mother and the Virgin Mary. In fact, the zoharic commentary on the blasphemer's biblical story provides a significant understanding of the Zohar’s ambivalent attitude towards Jesus as Son of God—and of the Virgin Mary as linked to the Shekhinah.

Currently there is no widespread agreement on what constitutes gnosis or the gnostic identity in the ancient world. The best option, it seems, is to offer a polythetic classification wherein gnostic thinkers or groups possess a range of characteristics without any one group or thinker possessing all of them. Yet even if widespread agreement on a set of characteristics were attained, it still would not explain how gnostic groups emerged, developed, and crafted their own specific identities.

At the time of Shahab Ahmed's untimely death on 17 September 2015, he left behind many admiring colleagues, students, friends, and family, as well as a weighty tome of monumental significance—What Is Islam? The Importance of Being Islamic. It is tragic when an author's first book is published posthumously, perhaps even more so in this case given that Ahmed's work is poised to have a pervasive influence on the field of Islamic Studies and has already garnered numerous accolades. Like a supermassive celestial body, this dense book exerts an irresistible attraction and alters the intellectual trajectory of those drawn into its orbit. What Is Islam? poses difficult questions no one in the field can ignore, even if one disagrees with its premises, methods, or conclusions. We are collectively the poorer for being unable to engage directly with the author in the many discussions that are sure to be provoked by the book's meteoric impact.