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The Paradox in Writing on Religion

Published online by Cambridge University Press:  10 June 2011

Daniel Gold
Affiliation:
Cornell University

Extract

Paradox, a subject that has intrigued philosophers and scientists since ancient times, not long ago also captured the attention of many literary critics and historians of religion. A key analytic term among the old New Critics, paradox—along with irony and ambiguity—was for decades taken as central to poetic language, the force of which was understood to derive from the play of multiple, often contradictory meanings. In history of religions, a concept of paradox was essential in the monumental work of Mircea Eliade, who repeatedly pointed to the power of conjoined opposites in myth. To many scholars in both fields, these paradoxes of poetry and myth have by now become passe—taken for granted, perhaps, but no longer topics for further exploration. They gain new significance, however, with the increasing interest in the critical study of academic writing over the last few years. For despite the hard-minded academic stance found in much contemporary religio-historical writing, the paradoxes familiar from religion and literature still often come into play, indeed, sometimes to explore striking contradictions that are posed in the fashion of paradoxes from science.

Type
Research Articles
Copyright
Copyright © President and Fellows of Harvard College 1990

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References

1 See, for example, Brooks, Cleanth, “Paradox and Literature,” the first essay in his important The Well-Wrought Urn (New York: Harcourt Brace, 1947)Google Scholar . For a critique of Brooks's approach as “monism” by one of his influential contemporaries see Crane, R. S., “The Critical Monism of Cleanth Brooks,” in Crane, R. S., ed., Critics and Criticism: Ancient and Modern (Chicago: University of Chicago Press, 1952) 83107Google Scholar ; for modern reflections on the New Critical project see Hosek, Chaviva and Parker, Patricia, eds., Lyric Poetry: Beyond New Criticism (Ithaca, NY: Cornell University Press, 1985)Google Scholar . The importance of paradoxical language as a general concept in New Criticism also led to renewed attention to the use of paradox as a literary figure during the Renaissance: see Colie, Rosalie L., Paradoxia Epidemica (Princeton, NJ: Princeton University Press, 1966)Google Scholar.

2 Eliade, Mircea, “Mephistopheles and the Androgyne, or ‘The Mystery of the Whole’,” in Mephistopheles and the Androgyne: Studies in Religious Myth and Symbol (New York: Sheed and Ward, 1958) 78124.Google Scholar

3 See Clifford, James and Marcus, George E., Writing Culture: The Poetics and Politics of Ethnography (Berkeley, CA: University of California Press, 1986)Google Scholar ; Marcus, George E. and Fischer, Michael M. J., Anthropology as Cultural Critique: An Experimental Movement in the Human Sciences (Chicago: University of Chicago Press, 1986)Google Scholar ; and White, Hayden, The Content of the Form: Narrative Discourse and Historical Representation (Baltimore: Johns Hopkins University Press, 1987)Google Scholar.

4 Mathematics, offering clear logical contradictions, probably presents the most striking illustrations. For example, the perplexing realization that infinite sets may include one another—musn't the part be smaller than the whole?–bhas led to specialized mathematical theory for infinite sets (for a fuller but still nontechnical account see Falletta, Nicholas L., The Paradoxicon [Garden City, NY: Doubleday, 1983] 6169)Google Scholar . Set theory itself, moreover, needed to be totally rethought in the wake of Russell's paradox: what is the status of “the set of all sets that do not contain themselves as members” (, Falletta, Paradoxicon, 1619)?Google Scholar In philosophy of science, the dynamics through which scientific anomalies lead to new knowledge have offered some of the liveliest debates over the last decades, with Kuhn and Popper presenting contrasting positions (see Kuhn, Thomas S., The Structure of Scientific Revolutions [2d ed.; Chicago: University of Chicago Press, 1970]Google Scholar and Popper, Karl R., Conjectures and Refutations: The Growth of Scientific Knowledge [London: Routledge and Kegan Paul, 1963])Google Scholar . For a review of the debate see Lakatos, Imre and Musgrave, Alan, eds., Criticism and the Growth of Knowledge (Cambridge: Cambridge University Press, 1970)CrossRefGoogle Scholar.

5 Suzuki, Ramsey, and Smart present different types of paradoxical religious language (see Suzuki, D. T., “Reason and Intuition in Buddhist Philosophy,” in Moore, Charles A., ed., Essays in East-West Philosophy: An Attempt at World Philosophical Synthesis [Honolulu: University of Hawaii Press, 1951] 1748Google Scholar ; Ramsey, Ian and Smart, Ninian, “Paradox in Religion,” Aristotelian Society Supplementary Volume 33 [1959] 195232)CrossRefGoogle Scholar . De Cusa's De Docta Ignorantia (in Dolan, John Patrick, ed., Unity and Reform: Selected Writings of Nicholas de Cusa [Notre Dame: University of Notre Dame Press, 1962] 5598Google Scholar ) presents a classical discussion of religious paradox from Western tradition ; Slater, Robert Lawrence (Paradox and Nirvana: A Study of Religious Ultimates with Special Reference to Burmese Buddhism [Chicago: University of Chicago Press, 1951]Google Scholar ) discusses the roles of paradox in Theravada Buddhism. The philosophy of paradox has been expounded by Slater, Howard A. (The Pertinence of Paradox: The Dialectics of Reason-in-Existence [New York: Humanities Press, 1968])Google Scholar ; a useful over-view and bibliography has been provided by Yusa, Michiko, “Paradox and Riddles,” Encyclopedia of Religion (New York: Macmillan, 1987)Google Scholar.

6 , Brooks, Well-Wrought Urn, 1718Google Scholar . For paradoxes in religious language Brooks looks to the Gospels: “He who would save his life must lose it”; and “The last shall be first.”

7 Ibid., 11.

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21 Ibid., 95.

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24 Ibid., 245–46.

25 Ibid., 129–30.

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27 , Neusner, Method and Meaning, 122–31.Google Scholar

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31 E.g., Eliade, Mephistopheles and the Androgyne.

32 E.g., O'Flaherty, Siva.

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