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A Note on the Disappearance of the Good Shepherd from Early Christian Art*

Published online by Cambridge University Press:  10 June 2011

Boniface Ramsey
Affiliation:
Dominican House of Studies Washington, DC

Extract

The image of the Good Shepherd was by far the most popular representation of Christ in the Church's first four centuries. In his article on the subject in the Dictionnaire d'archéologie chrétienne et de liturgie, Henri Leclerq gives more than three hundred examples, dating to the beginning of the fifth century, and his list is by no means exhaustive. In the first half of the fifth century, however, the Good Shepherd suddenly vanishes from Christian art in both East and West, with perhaps a few relatively insignificant exceptions, to be replaced by the images of Christ as teacher and as king—images that had become increasingly important in the iconography of Christ over the course of the previous hundred years. The Good Shepherd did not reappear upon the scene until well into the Middle Ages. What was responsible for its disappearance?

Type
Notes & Observations
Copyright
Copyright © President and Fellows of Harvard College 1983

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References

1 (Paris: Letouzey et Ané, 1924) 13. 2, 2272–2390.

2 Sauser, Ekkart, Frühchristliche Kunst: Sinnbild und Glaubensaussage (Innsbruck: Tyrolia, 1966) 372401.Google Scholar

3 Quasten, Johannes, ed., Monumenta eucharistica et liturgica vetustissima = Florilegium Patristicum VII (Bonn: Hanstein, 19351937) 1. 22.Google Scholar

4 Lake, Kirsopp, ed.. The Apostolic Fathers (LCL; Cambridge: Harvard University, 1950) 2. 68.Google Scholar

5 Tract, in Johannem 46. 3 (CCSL 36. 399).