Among the general questions that arise in analysing a culture's outlook on its fauna are the following: Where do animals belong in the world-view of that culture, in their cosmogony or historical mythology, and how do these aetiological beliefs reflect upon the economic position of animals? What is the range of emotional attitudes towards man's enigmatic and uncanny half-brothers, especially domesticated species? Are animals used in entertainment? Questions such as these may be further refined by determining which species are domesticated, which hunted; which are eaten by man, which taboo; which animals does man sacrifice or worship? Are animals kept as pets, and if so, what kinds of names does a culture give them–human names or abstract names embodying a spiritual quality or force in nature? To what extent are these non-verbal creatures a substitute for affection or sadistic punishment, or a target for aggressive or hostile feelings? In other words, what qualities does man project onto animals? Or put slightly differently, which powers does he attribute to the animal? Is an animal thought capable of curing illness, for example? And finally, what are some of the recurrent symbols that emerge for a given animal in legend or myth?