Hostname: page-component-78c5997874-v9fdk Total loading time: 0 Render date: 2024-11-19T06:34:42.439Z Has data issue: false hasContentIssue false

Reception

Published online by Cambridge University Press:  19 September 2019

Extract

As the editors of Once and Future Antiquities point out in their preface, ‘science fiction, fantasy, and the classics have in common the effect of inviting us to reconsider (by speculating, by imagining, by contextualizing) our own world anew’ (xi). The fourteen wide-ranging chapters in this volume eloquently illustrate this point. Contributors explore the multiple ways in which the genres of science fiction and fantasy (SF&F) engage with, respond to, and cast new light on cultural artefacts, story patterns, and characters from the ancient Greek and Roman worlds, reflecting too on how these receptions respond to contemporary preoccupations. Appropriately for a volume on classical receptions, the contributions are all linked by the unifying theme of ‘displacements’ – a concept which refers here both to the movement of ideas, texts, and themes across time and space, and to the disruption of perceived genre boundaries or preconceived ideas about the relationship between receiving and source texts or cultures.

Type
Subject Reviews
Copyright
Copyright © The Classical Association 2019 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Once and Future Antiquities in Science Fiction and Fantasy. Edited by Rogers, Brett M. and Stevens, Benjamin Eldon. Bloomsbury Studies in Classical Reception. London and New York, Bloomsbury, 2019. Pp. xii + 233. 20 b/w illustrations. Hardback £65, ISBN: 978-1-3500-6894-0; paperback £17.99, ISBN: 978-1-3500-6894-0Google Scholar.

3 Eva Palmer Sikelianos. A Life in Ruins. By Leontis, Artemis. Princeton, NJ, and Oxford, Princeton University Press, 2019. Pp. xlvi + 339. 57 b/w illustrations. Hardback £27, ISBN: 978-0-691-17172-2Google Scholar.

4 See, for example, Wyles, R. and Hall, E. (eds.), Women Classical Scholars. Unsealing the Fountain from the Renaissance to Jacqueline de Romilly (Oxford, 2016)CrossRefGoogle Scholar, and the Women's Classical Committee UK's ongoing #WCCWiki Wikipedia editing initiative, <https://en.wikipedia.org/wiki/Wikipedia:Women%27s_Classical_Committee>, accessed 4 June 2019.

5 Weeping for Dido. The Classics in the Medieval Classroom. By Woods, Marjorie Curry. Princeton, NJ, and Oxford, Princeton University Press, 2019. Pp. xxi + 176, 2 colour and 17 b/w illustrations. Hardback £30, ISBN: 978-0-691-17080-0Google Scholar.

6 The Classics in Modernist Translation. Edited by Hickman, Miranda and Kozak, Lynn. Bloomsbury Studies in Classical Reception. London and New York, Bloomsbury Academic, 2019. Pp. xviii + 264. 3 b/w illustrations. Hardback £85, ISBN: 978-1-3500-4095-3CrossRefGoogle Scholar.

7 Reviving Cicero in Drama. From the Ancient World to the Modern Stage. By Manuwald, Gesine. Library of Classical Studies. London and New York, I. B. Tauris, 2018. Pp. x + 308. Hardback £85, ISBN: 987-1-78831-296-7Google Scholar.

8 Classics in Britain. Scholarship, Education, and Publishing 1800–2000. By Stray, Christopher. Classical Presences. Oxford, Oxford University Press, 2018. Pp. xxvi + 385. 22 b/w illustrations. Hardback £90, ISBN: 978-0-19-956937-3Google Scholar.