Published online by Cambridge University Press: 05 January 2009
TheAdelphi is Terence's best-known, though not necessarily his best, play. It tells how a timid young man, Ctesiphon, son of a strict and parsimonious father, Demea, falls in love with a slave-girl, Bacchis. His brother, Aeschinus, who has been adopted and brought up by his easygoing uncle Micio, abducts the girl on Ctesiphon's behalf, thereby causing much distress both to Pamphila, to whom Aeschinus is secretly betrothed, and to Micio himself, who is afraid that his indulgent attitude towards his adopted son's youthful escapades has encouraged him to go too far. However, the whole misunderstanding is sorted out: Micio gives his consent to the marriage of Aeschinus and Pamphila, and Aeschinus swears to Micio eternal gratitude, while Demea is persuaded to put aside his anger at the behaviour of the two young men and come in to the marriage feast. In the next scene Demea comes out and declares that he is going to change his attitude to life and do his best to win popularity by affability and generosity. He proceeds to put this idea into practice by a display of friendliness towards Syrus, Micio's steward, who had taken a leading part in the intrigue, to Geta, the loyal slave of Pamphila, and to Aeschinus himself, whom he encourages to break down the wall between Micio's house and Pamphila's to enable him to bring home his bride more easily; he then persuades the staunch bachelor, Micio, to marry Sostrata, Pamphila's mother, and to give a farm to Sostrata's old family friend, Hegio, in these two instances being stoutly supported by Aeschinus.
page 39 note 1 Rev. Phil. xiv (1940), 33.Google Scholar