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Published online by Cambridge University Press: 06 March 2019
The movie The Lives of Others is not simply a voyage back in time. For many, it is an introduction to an entirely new world, albeit a world with troubling resonance for the so-called “War on Terror.” Director Florian Henckel von Donnersmarck peels back the iron curtain to expose the day-to-day lives of an unlikely assemblage of artists, spies and Apparatchiks in East Germany right before the regime fell. Several themes are presented: the emptiness of power perverts an ideology and those who should wield the public's trust; the goodwill of a cold-hearted, intrusive spy becomes the salvation of a reluctant revolutionary; a neighbor's desire for self-preservation costs a lover her life. This widely acclaimed movie underscores the fragility and insecurity of normal life in East Germany and invites movie-watchers to reflect on the fragile quality of their present-day business, personal and social relationships.
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30 Id. at 369.Google Scholar
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33 Id. at 370.Google Scholar
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42 See also Simon Burnett, Ghost Strasse – Germany's East Trapped Between Past and Present 127–140 (2007) (describing a meeting of former Stasi officers at which one of the attendees is quoted as saying “‘there is no need for regrets’ about the past.” Burnett reports that this “won him sustained applause.”).Google Scholar
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46 See Stasi Questionaire Case, BVerfGE 96, 171.Google Scholar
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