The paper sets out to analyse the mechanisms and functions of the national landscape as a cultural invention through literature, underscoring how literature, more than other media, most clearly articulates its conflictual complexity, being both descriptions of and reflections on identities. The national landscape is part of a more general story of how place and identity are interconnected. Through analyses of texts by Nadine Gordimer, John Michael Coetzee, André Brink and the Danish romanticist and scientist Hans Christian Ørsted, it is suggested how the European reflection on national identity in relation to landscape and language from the period of nation-building in the 19th century is both repeated and criticized in the emerging new nations of the post-colonial era. On the one hand, the parallel between European and non-European reflections helps us to deconstruct the naturalized homogeneity of national identity in Europe and invites us to criticize the attempts to reduplicate this simplicity in the conception of identity in post-colonial conditions.