There is very much more to Daniel Defoe's inspired piece of ‘faction’ about Robinson Crusoe than seeing it just as a boy's adventure story. Its influence was widespread, judging by the great scale of new editions and reprintings, both internationally and through many translations. It can be read as a sophisticated myth of the ascent of man, of economic growth by dint of the work ethic, of the imperative of ‘improvement’ and the determination to master nature. It has implications for natural rights theory, the Lockeian justification of private property and the role of the ‘civilised’ European facing a hostile, alien habitat.