Hostname: page-component-cd9895bd7-jn8rn Total loading time: 0 Render date: 2024-12-23T04:06:45.116Z Has data issue: false hasContentIssue false

Doug Bailey. Breaking the Surface: An Art/Archaeology of Prehistoric Architecture (Oxford: Oxford University Press, 2018, 338 pp., 121 illustr., pbk, ISBN 9780190611880)

Published online by Cambridge University Press:  05 May 2020

Helen Wickstead*
Affiliation:
Kingston School of Art, Kingston University London, UK

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Review
Copyright
Copyright © European Association of Archaeologists 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Bailey, D. 2017. Disarticulate—Repurpose—Disrupt: Art/Archaeology. Cambridge Archaeological Journal, 27(4): 691701. doi: https://doi.org/10.1017/S0959774317000713CrossRefGoogle Scholar
Bishop, C. 2012. Artificial Hells: Participatory Art and the Politics of Spectatorship. London: VersoGoogle Scholar
Boltanski, L. & Chiapello, E. 2017. The New Spirit of Capitalism, trans. by Elliott, Gregory, 2nd edition. London: Verso.Google Scholar
Dixon, J. 2018. Archaeology and Art. In: Smith, C., ed. Encyclopedia of Global Archaeology. New York: Springer Nature. doi: https://doi.org/10.1007/978-3-319-51726-1_3015-1Google Scholar
Gale, J. 2017. Knowlton Circles: A Later Neolithic and early Bronze Age Ceremonial Complex and its Environs—A Review. Landscapes, 18(2):102–19. doi: https://doi.org/10.1080/14662035.2018.1429715CrossRefGoogle Scholar
Renfrew, C. 2003. Figuring it Out. What Are We? Where Do We Come From? The Parallel Visions of Artists and Archaeologists. London: Thames & Hudson.Google Scholar