Hostname: page-component-78c5997874-xbtfd Total loading time: 0 Render date: 2024-11-19T14:37:49.116Z Has data issue: false hasContentIssue false

The Strategy of Structure: Architectural and Managerial Style at Alcoa and Owens-Corning

Published online by Cambridge University Press:  18 February 2015

Abstract

The Alcoa Building (1953) and Fiberglas Tower (1969) exemplify “architecture parlante”, literally buildings that speak of their function and meaning. They said—in steel, aluminum and (fiber)glass—this is who we are; this is what we do; this is how we do it. They provided prestige, visibility, and a sense of collective identity. Alcoa and Owens-Corning intended their signature buildings as larger than life advertisements for their signature products. The executives who commissioned them also expected the buildings themselves to reflect, and reinforce, new management styles. In the early 1990s, Alcoa and Owen-Corning commissioned new headquarters buildings that reflected a new management style thought to be appropirate for an emerging era of the flat organization and the ‘networked corporation’. Like their predecessors, these buildings sent an unmistakable message about management priorities. The buildings – outside and in – helped bring the organization, and the organizational chart, to life, both symbolically and pragmatically. Read carefully, a signature building can be a revealing corporate memoir.

Type
Articles
Copyright
Copyright © The Author(s) 2011. Published by Cambridge University Press on behalf of the Business History Conference. All rights reserved.

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Bibliography of Works Cited

Books

Albrecht, Donald, and Broikos, Chrysanthe, eds. On the Job: Design and the American Office. New York: Princeton Architectural Press, 2000.Google Scholar
Allen, James. The Romance of Commerce and Culture: Capitalism, Modernism, and the Chicago-Aspen Crusade for Cultural Reform. Chicago: University of Chicago Press, 1983.Google Scholar
Aluminum in Modern Architecture, vol. 1. New York: Reinhold Publishing, 1956.Google Scholar
Aluminum on the Skyline. Pittsburgh, PA: Alcoa, 1953.Google Scholar
Best, Steven, and Kellner, Douglas. The Postmodern Turn. New York: Guilford Press, 1997.Google Scholar
Boje, David. Postmodern Management and Organization Theory. London: SAGE, 1995.Google Scholar
Clausen, Meredith. Pietro Belluschi: Modern American Architect. Cambridge: MIT Press, 1994.Google Scholar
Davis, Clark. Company Men: White-collar Life and Corporate Cultures in Los Angeles, 1892–1941. Baltimore: Johns Hopkins University Press, 2000.Google Scholar
Dudley, Gus, ed. Oscar Nitzchke-Architect. New York: Cooper Union, 1985.Google Scholar
Fenske, Gail. The Skyscraper and the City. The Woolworth Building and the Making of Modern New York. Chicago: University of Chicago Press, 2008.Google Scholar
Filler, Martin. Makers of Modern Architecture. New York: New York Review Books, 2007.Google Scholar
Graham, Margaret B.W., and Shuldiner, Alec. Corning and the Craft of Innovation. New York: Oxford University Press, 2001.Google Scholar
Graham, Margaret B.W., and Pruitt, Bettye. R&D for Industry: A Century of Technical Innovation at Alcoa. New York: Cambridge University Press, 1990.Google Scholar
Guillen, Mauro. The Taylorized Beauty of the Mechanical: Scientific Management and the Rise of Modernist Architecture. Princeton, NJ: Princeton University Press, 2006.Google Scholar
Hammer, Michael, and Champy, James. Reengineering the Corporation: A Manifesto for Business Revolution. New York: Harper Business, 1993.Google Scholar
Harris, David. Planning and Designing the Office Environment. New York: Van Nostrand Reinhold, 1981.Google Scholar
Harwood, John, and Parks, Janet. The Troubled Search: The Work of Max Abramowitz. New York: Wallach Art Gallery, 2004.Google Scholar
Hayden, Dolores. The Power of Place: Urban Landscapes as Public History. Cambridge: MIT Press, 1995.Google Scholar
Jencks, Charles. The Language of Post-modern Architecture. New York: Rizzoli, 1977.Google Scholar
Kenney, Martin, ed. Understanding Silicon Valley: The Anatomy of an Entrepreneurial Region. Palo Alto, CA: Stanford University Press, 2000.Google Scholar
Kidney, Walter. Henry Hornbostel: An Architect’s Master Touch. Pittsburgh, PA: Pittsburgh History & Landmarks Foundation, 2002.Google Scholar
Knight, Kenneth. Matrix Management. New York: Petrocelli Books, 1978.Google Scholar
Kwolek-Folland, Angel. Engendering Business: Men and Women in the Corporate Office, 1870–1930. Baltimore: Johns Hopkins University Press, 1994.Google Scholar
Marchand, Roland. Creating the Corporate Soul. The Rise of Public Relations and Corporate Imagery. Berkeley: University of California Press, 1998.Google Scholar
Martin, Reinhold. The Organizational Complex: Architecture, Media, and Corporate Space. Cambridge: MIT Press, 2003.Google Scholar
Smith, George D. From Monopoly to Competition. The Transformation of Alcoa, 1888–1986. New York: Cambridge University Press, 1988.Google Scholar
Stacey, Ralph D. Complexity and Creativity in Organizations. San Francisco: Berrett-Koehler Publishers, 1996.Google Scholar
Trachtenberg, Alan, and Stephenson, Sam, eds. Dream Street: W. Eugene Smith’s Pittsburgh Project. New York: Norton, 2001.Google Scholar
Venturi, Robert. Complexity and Contradiction in Architecture. New York: Museum of Modern Art, 1966.Google Scholar
Yates, JoAnne. Control Through Communication: The Rise of System in American Management. Baltimore: Johns Hopkins University Press, 1989.Google Scholar

Articles and Essays

717—Fifth Avenue’s Skyscraper of Glass.” Interiors 110 (July 1959): 67.Google Scholar
A Building to Crack a Metal Market.” Business Week (September 1953).Google Scholar
Abercrombie, Stanley. “Office Supplies: Evolving Furniture for the Evolving Workplace.” In On the Job, edited by Albrecht, D. and Broikos, C. 8991.Google Scholar
Alloway, Lawrence. “Fiberglas and Sculptors.” Catalog for “Trio” (September 1970).Google Scholar
Brennan, Annmarie. “Forecast.” In Cold War Hothouses: Inventing Postwar Culture from Cockpit to Playboy, edited by Colomina, B., Brennan, A., and Kim, J., 5590. New York: Princeton Architectural Press, 2004.Google Scholar
Chang, Jade. “Behind the Glass Curtain” Google’s New Headquarters Balances Its Utopian Desire for Transparency with Its Very Real Need for Privacy.” Metropolis (July 2006).Google Scholar
Domosh, Mona. “Corporate Cultures and the Modern Landscape of New York City.” In Inventing Places: Studies in Cultural Geography, edited by Anderson, K., and Gale, F. 7286. Sydney, Australia: Longman Cheshire, 1992.Google Scholar
Ethington, Philip. “Placing the Past: ‘Groundwork’ for a Spatial Theory of History.” Rethinking History, 11 (December 2007): 465–93; Reply, 525–30.Google Scholar
Harvey, David. “A View from Federal Hill.” In The Baltimore Book: New Views of Local History, edited by Fee, E, Shopes, L, and Zeidman, L, 226–49. Philadelphia: Temple University Press, 1991.Google Scholar
Kaufmann, Edgar. “The Inland Steel Building and Its Art.” Art in America, 45 (Winter 1957–8): 23–7.Google Scholar
Klein, Norman. “Scripting Las Vegas: Naifs Nairs, Junking Up, and the New Strip.” In The Grit beneath the Glitter: Tales from the Real Las Vegas, edited by Rothman, H.K, and Davis, M, 1729. Berkeley: University of California Press, 2002.Google Scholar
Knowles, Scott, and Stuart, W.Leslie. “Industrial Versailles”: Eero Saarinen’s Corporate Campuses for GM, IBM, and AT&T.” Isis 92 (March 2001): 133.Google Scholar
Moudry, Roberta. “The Corporate and the Civic: Metropolitan Life’s Home Office Building.” In The American Skyscraper: Cultural Histories, edited by Moudry, R. 120–46. New York: Cambridge University Press, 2005.Google Scholar
Nye, David. “The Sublime and the Skyline: The New York Skyscraper.” In The American Skyscraper: Cultural Histories, edited by Moudry, R. 255–69. New York: Cambridge University Press, 2005.Google Scholar
Russell, James. “Form Follows Fad: The Troubled Love Affair of Architectural Style and Management Ideal.” In On the Job: Design and the American Office, edited by Albrecht, D. and Broikos, C. 5962. New York: Princeton Architectural Press, 2000.Google Scholar
Schatzberg, Eric. “Symbolic Culture and Technological Change: The Cultural History of Aluminum as an Industrial Material.” Enterprise and Society 4 (June 2003): 226–71.Google Scholar

Magazines, Newspapers, and Trade Publications

Alcoa Complete: Pittsburgh’s 3-Story Aluminum Waffle is America’s Most Daring Experiment in Modern Office Building.” Architectural Forum (November 1953): 124–31.Google Scholar
Alcoa Corporate Center.” Architecture and Aluminum 20 (November 1999): 16.Google Scholar
Althen, Phillip. “Aluminum in the Builders’ Hardware Industry.” Hardware Consultant (May 1953).Google Scholar
Aluminum Challenges Copper.” Architectural Forum (August 1952): 140–6.Google Scholar
Business District Renewal Planned.” Toledo Blade (May 1963).Google Scholar
City’s Only Sky-High Restaurant Opens Sunday atop Fiberglas Tower.” Toledo Times.Google Scholar
DaParma, Ron. “Alcoa Sets Up 4-Member Team to Study Headquarters Building.” Pittsburgh Press (January 27, 1993).Google Scholar
Deft Remodeling Creates a Compact Sales Machine with a Billboard Front.” Architectural Forum (June 1948): 88.Google Scholar
Fiberglas.” Fortune (February 1947): 8791, 226.Google Scholar
Fiberglas Building.” Architectural Record 143 (February 1948): 140–1.Google Scholar
Fiberglas Tower Ground-Breaking Viewed as Start of New Toledo Era.” Toledo Blade (May 1, 1967).Google Scholar
Hall, Trish. “Place: And the Walls Came Tumbling Down.” New York Times (December 13, 1998).Google Scholar
Harris, William. “The Splendid Retreat of Alcoa.” Fortune (October 1955): 115.Google Scholar
Holmes, Burton. “Alcoa Building: Lightweight Construction.’ Progressive Architecture (August 1952): 8790.Google Scholar
Inland Steel’s Showcase.” Architectural Forum 108 (April 1958): 8893.Google Scholar
Kidney, Walter. “Suave Packaging-The Alcoa Building.” Executive Report, (February 1986): 39.Google Scholar
Lerro, Joseph. “Sound Attenuation in an Open-Plan Office.” Design News (May 21, 1979).Google Scholar
Lowry, Patricia. “A Headquarters with a View.” Pittsburgh Post-Gazette (April 17, 1997).Google Scholar
Miller, Donald. “A Triumph Over Pretension.” Pittsburgh Post-Gazette (September 18, 1998).Google Scholar
New Techniques in the Use of FIBERGLAS.” Buildings 48 (February 1948): 30–2.Google Scholar
Open Office Becomes Booth at CSI Convention.” Tower News (July 8, 1979).Google Scholar
Owens-Corning Adopts Unique New Design Plan for the Fiberglas Tower General Office Space.” Fiberglas Tower News (July to August 1968): 3.Google Scholar
Pakulski, Gary. “CEO Says Move Restyles O-C Image.” Toledo Blade (September 4, 1994).Google Scholar
Pittsburgh’s New Heart.” Business Week (October 8, 1955): 26.Google Scholar
Pittsburgh Renascent.” Architectural Forum (November 1949): 5970.Google Scholar
Spring, B.P. “Alcoa’s Big Experiment-Ten Years Later.” Architectural Forum, 117 (December 1962): 112–14.Google Scholar
Stewart, Thomas. “Owens-Corning: Back From the Dead.” Fortune 135 (May 26, 1997).Google Scholar
Strader, Evelyn. “Offices in Fiberglas Tower Offer Warm-Colored, Wide-Open Privacy.” Toledo Blade (May 17, 1970).Google Scholar
The Big Mirror.” Architectural Forum 110 (May 1959): 117.Google Scholar
The Owens-Corning Collection: An Exhibition of Works of Art from the Collection of the Owens-Corning Fiberglas Corporation.” Toledo Museum of Art (June 21 through July 20, 1969).Google Scholar
U.S. Agency Approves Grant of $1,365,109 for Riverview Renewal.” Toledo Blade (May 15, 1965).Google Scholar
Wanderer, E.T. “Aluminum’s Piping Applications.” Heating, Piping and Air Conditioning (November 1953).Google Scholar
What Fiberglas Did to Sell a New Material to an Old Market.” Industrial Design 1, no. 3 (June 1954): 33.Google Scholar

Archival Sources

Douglas Haskell Papers, Archival Collections, Avery Library, Columbia University, New York, NY.Google Scholar
Max Abramovitz Papers, Archival Collections, Avery Library, Columbia University, New York, NY.Google Scholar
Pennsylvania Room, Carnegie Library, Pittsburgh, PA.Google Scholar

Interviews

Art and Management: What Can We Learn from Each Other? Cesar Pelli and Glen Hiner, Cleveland Museum of Art, April 3, 2002.Google Scholar
Conrad, Zamka May 3, 2007, Toledo, OH.Google Scholar
Don, Burrell September 16, 2004, Pittsburgh, PA.Google Scholar
Marty, Powell September 17, 2004, Pittsburgh, OH.Google Scholar
Paul, O’Neill September 17, 2004, Pittsburgh, PA.Google Scholar
Ralph, Petrarca May 4, 2007, Toledo, OH.Google Scholar
Robert, Eganhouse September 16, 2004. Pittsburgh, PA.Google Scholar

Dissertations

Lange, Alexandra. “Tower, Typewriter and Trademark: Architects, Designers and the Corporate Utopia, 1956–1964.” PhD dissertation, New York University, 2005.Google Scholar