Hostname: page-component-78c5997874-t5tsf Total loading time: 0 Render date: 2024-11-09T22:37:48.612Z Has data issue: false hasContentIssue false

Michaela Mahlberg, Corpus stylistics and Dickens's fiction. London: Routledge, 2013. Pp. vii + 221. ISBN 780-0-415-80014-3.

Published online by Cambridge University Press:  06 February 2014

Marina Lambrou*
Affiliation:
Faculty of Arts and Social Sciences, Kingston University, Penrhyn Road, Kingston upon Thames, Surrey KT1 2EE, [email protected]

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Copyright
Copyright © Cambridge University Press 2014 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Becket, Andrew. 1787. Concordance to Shakespeare. London: G. G. J. and J. Robinson.Google Scholar
Bednarek, Monika. 2012. The language of fictional television. London: Continuum.Google Scholar
Biber, Douglas. 2006. University language: A corpus-based study of spoken and written registers. Amsterdam: John Benjamins.Google Scholar
Gavins, Joanna. 2007. Text World Theory: An introduction. Edinburgh: Edinburgh University Press.Google Scholar
Korte, Barbara. 1997. Body language in literature. Toronto: University of Toronto Press.Google Scholar
Leech, Geoffrey. 1985. Stylistics. In van Dijk, Teun A. (ed.), Discourse and literature, 3957. Amsterdam and Philadelphia: John Benjamins.Google Scholar
McIntyre, Dan. 2013. Language and style in David Peace's 1974: A corpus-informed analysis. Etudes de stylistique anglaise 4, 133–45.Google Scholar
Montoro, Rocio. 2012. Chick lit, the stylistics of cappucino fiction. London: Continuum.Google Scholar
Sinclair, John 1991. Corpus, concordance, collocation. Oxford: Oxford University Press.Google Scholar
Werth, Paul. 1999 Text worlds: Representing conceptual space in discourse. London: Longman.Google Scholar