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Published online by Cambridge University Press: 17 January 2013
Having had the good fortune last autumn to get an antique marble bust of extreme beauty, the question naturally arose, of whom it might be the portrait, if, indeed, it was a portrait at all, and not an ideal head. I had proceeded some way in this inquiry, when it was suggested to me one day that it might interest the Society to know something of it, and that, though a little foreign no doubt to its usual topics, the change would be agreeable, and that ancient art was not without its charms. So urged I yielded,—perhaps too easily; but of this you will judge when I have done.
page 417 note * Burton's Rome, 2. 203.
page 418 note * Burton's Rome, 2. 307; Plixy, 35. 2.
page 418 note † Heeren's Greece, pp. 284–9.
page 418 note ‡ Wincklemann on Greek Art, p. 220.
page 418 note § Müller's Ancient Art, p. 65.
page 419 note * Smith's Dictionary of Greek and Roman Antiquities, p. 908; and Müller, pp. 124–5.
page 419 note † Cicero in Verrem, II. I., 19 and 23; Heeren, p. 288.
page 419 note ‡ Ibid. II. I., 21.
page 419 note § Juvenal, Satire VIII., 1–19.
page 419 note ∥ Smith's Dictionary, voce “Pinacotheca;” and Adam's Antiquities, p. 460.
page 419 note ¶ Lectures on French History, I., 21.
page 419 note ** Vol. i., 62.
page 419 note †† Antony and Cleopatra, Act III., Scene 3.
page 420 note * Suetonius, voce “Octavius;” and Arnold's Roman Commonwealth, II., 406.
page 421 note * Œuvres de S. Real, III., 295.
page 421 note † Merivale's Roman Empire, 3. 283–4.
page 421 note ‡ Seneca, “Ad Marciam.”
page 421 note § Tacitus, Annals, I., 10. “Gravis in rempublicam mater, gravior domui Cesaruin noverca.”
page 422 note * Müller's “Ancient Art and its Remains,” pp. 169–70.
page 422 note † Winckelmann, p. 96.
page 422 note ‡ Merivale's Roman Empire, III., 309.
page 422 note § Burton's Rome, I., 22; and II., 303.