Hostname: page-component-cd9895bd7-mkpzs Total loading time: 0 Render date: 2024-12-29T09:09:25.286Z Has data issue: false hasContentIssue false
  • English
  • Français

Paul F. Cutter. Musical Sources of the Old-Roman Mass: an Inventory of MS Rome, St. Cecilia Gradual 1071; MS Rome, Vaticanum latinum 5319; MSS Rome, San Pietro F 22 and F 11, Musicological Studies and Documents 36. Neuhausen-Stuttgart, American Institute of Musicology and Hänssler-Verlag, 1979.

Review products

Paul F. Cutter. Musical Sources of the Old-Roman Mass: an Inventory of MS Rome, St. Cecilia Gradual 1071; MS Rome, Vaticanum latinum 5319; MSS Rome, San Pietro F 22 and F 11, Musicological Studies and Documents 36. Neuhausen-Stuttgart, American Institute of Musicology and Hänssler-Verlag, 1979.

Published online by Cambridge University Press:  05 December 2008

Thomas Connolly
Thomas Connolly
Affiliation:
University of Pennsylvania
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
Early Music History , Volume 2 , October 1982 , pp. 363 - 369
Copyright
Copyright © Cambridge University Press 1982

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Van Dijk, S. J. P., ‘Recent Developments in the Study of the Old-Roman Rite’, Studia Patristica, 8, Texte und Untersuchungen 93 (1966), p. 308Google Scholar.

2 The edition appears in Giorgi, D., De liturgia romani pontificis in solemni celebratione missarum, 3 vols. (Rome, 1731–1744). iii. pp. 441–528Google Scholar.

3 See Connolly, T. H., ‘The Graduale of S. Cecilia in Trastevere and the Old Roman Tradition’, Journal of the American Musicological Society, 28 (1975), pp. 442–51CrossRefGoogle Scholar.