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Peter Walls, Music in the English Courtly Masque 1604–1640. Oxford, Clarendon Press, 1996, 372 pp.

Published online by Cambridge University Press:  05 December 2008

Peter Holman
Peter Holman
Affiliation:
King's College, London
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Type
Reviews
Information
Early Music History , Volume 16 , October 1997 , pp. 328 - 335
Copyright
Copyright © Cambridge University Press 1997

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References

1 Dent, E. J., Foundations of English Opera (Cambridge, 1928; repr. 1965)Google Scholar; Arundell, D., The Critic at the Opera (London, 1957)Google Scholar.

2 Sabol, A., Four Hundred Songs and Dances from the Stuart Masque (Providence, R.I., 1978)Google Scholar.

3 Matthew Locke and Christopher Gibbons: Cupid and Death, ed. Dent, E. J., rev. A. Lewis, Musica Britannica 2 (London, 2/1965)Google Scholar.

4 Modern edition in Greaves, Mason, Earsden: Songs (1604) and Ayres (1618), ed. Spink, I., The English Lute-Songs, second series, 18 (London, 1962)Google Scholar.

5 Trois Masques à la cour de Charles Ier d'Angleterre, ed. Lefkowitz, M. (Paris, 1970)Google Scholar.

6 Modern edition in Robert Johnson: Ayres, Songs and Dialogues, ed. Spink, I., The English Lute-Songs, second series, 17 (London, 2/1974), no. 5Google Scholar. Unfortunately, it omits the essential second soprano part printed in the sole source, Wilson's, JohnCheerful Ayres or Ballads (Oxford, 1660)Google Scholar.

7 Ward, J., ‘Newly Devis'd Measures for Jacobean Masques’, Acta Musicologica, 60 (1988), pp. 111–42CrossRefGoogle Scholar; Holman, P., Four and Twenty Fiddlers: The Violin at the English Court 1540–1690 (Oxford, 1993; 2nd edn 1995), chap. 8Google Scholar.

8 Lasocki, D., Professional Recorder Players in England, 1540–1740, Ph.D. dissertation, University of Iowa, 1983, i, pp. 105–12Google Scholar; Holman, , Four and Twenty Fiddlers, pp. 233–4Google Scholar.

9 Ibid., p. 186.

10 Ibid., pp. 252–3.