One of the chief aims of my recently completed intellectual biography of Wang Kuo-wei (1877-1927) is to provide a critical account of the evolution of that scholar's ideas in, and the substance of his contribution to, the disciplines of philosophy, literature, and history. Because Wang Kuo-wei: An Intellectual Biography will not be published until 1986 (Harvard University Press, Harvard East Asian Series 101), I have drawn on those pages of my manuscript that bear most closely on the interests of Early China readers to provide the following research note regarding the claim of Li Chi, Fu Ssu-nien, Kuo Mo-jo, P'u-i, and others that Lo Chen-yü's major works on oracle-bone inscriptions were, in fact, plagiarized.