In seventeenth-century Germany art and reality stood in a contradictory relationship to one another, and this contradiction was a fruitful one: it contained, in an undeveloped and indistinct form, the paths that art was to take in the centuries that followed. From the point of view of the history of culture, it is important to feel the basic contradiction of this period, the pledge of the developments of the future, even though the period itself perhaps suffered from this contradiction. We ourselves will be helped in this direction—that is, towards the elucidation of the central contradiction of seventeenth-century art—by a few isolated comments and observations on the literary texts of the time.