Introduction to the issue
Introduction to the issue
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- 22 July 2014, pp. 1-3
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Articles
Humphrey's Legacy: Loss and Recall
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- 22 July 2014, pp. 4-9
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The Influence of Francis W. Parker on Doris Humphrey's Teaching Methodology
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- 22 July 2014, pp. 10-21
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Form as the Image of Human Perfectability and Natural Order
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- 22 July 2014, pp. 22-28
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Dancers, Workers and Bees in the Choreography of Doris Humphrey
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- 22 July 2014, pp. 29-34
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Reminiscences of the American Dance Festival: Summer 1955
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- 22 July 2014, pp. 35-39
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Packaging Doris Humphrey or A Question of Form: Nona Schurman Shares Her Thoughts on Doris Humphrey's Choreography
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- 22 July 2014, pp. 40-48
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Doris Humphrey and the 92nd Street Y: A Dance Center for the People
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- 22 July 2014, pp. 49-58
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Shakers in Cyberspace: Electronic Resources and the Bibliography of Dance
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- 22 July 2014, pp. 60-74
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Reviews
Musical Theatre at the Court of Louis XIV: Le Mariage de la Grosse Cathos, by Rebecca Harris-Warrick and Carol G. Marsh. Cambridge Musical Texts and Monographs. Cambridge and New York: Cambridge University Press, 1994. xviii + 342 pp., dance notations, music notations, illustrations, facsimile of musical score, libretto, appendices, bibliography, index. $110.00 clothbound.
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- 22 July 2014, pp. 75-77
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“A Trade Like any other”: Female Singers and Dancers in Egypt, by Karin van Nieuwkerk. Austin: University of Texas Press, 1995. xiv + 226 pp., introduction, photographs, appendix, notes, glossary, bibliography, index. $35.00 hardbound; $15.95 paperbound.
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- 22 July 2014, pp. 77-80
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Gendering Bodies/Performing Art: Dance and Literature in Early Twentieth-Century British Culture, by Amy Koritz. Ann Arbor: University of Michigan Press, 1995. x + 221 pp., introduction, notes, works cited, index. $37.50 clothbound.
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- 22 July 2014, pp. 80-83
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Bodies of the Text: Dance as Theory, Literature as Dance edited by Ellen W. Goellner and Jacqueline Shea Murphy. New Brunswick, NJ: Rutgers University Press, 1995. xviii + 266 pp., introduction, notes, photographs, index.$48.00 clothbound; $20.00 paperbound.
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- 22 July 2014, pp. 83-86
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Moving Toward Life: Five Decades of Transformational Dance, by Anna Halprin, edited by Rachel Kaplan. Hanover, NH: Wesleyan University Press of New England, 1995. xx + 284 pp., photographs, diagrams, appendices, bibliography, index. $45.00 clothbound; $19.95 pa-perbound.
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- 22 July 2014, pp. 86-89
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Psychology of Dance, by Jim Taylor and Ceci Taylor. Champaign, IL: Human Kinetics, 1995. viii + 158 pp., photographs, diagrams, charts, references, index. $22.00 paperbound. - Psychology for Performing Artists: Butterflies and Bouquets, by Glenn D. Wilson. London and Bristol, PA: Jessica Kingsley Publishers, 1994. viii + 248 pp., tables, figures, references, subject index, author index. $29.50 paperbound.
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- 22 July 2014, pp. 89-91
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The Roots of Power: Animate form and Gendered Bodies, by Maxine Sheets Johnstone. Chicago: Open Court Publishing Company, 1994. x + 438 pp., prologue, epilogue, notes, bibliography, index. $19.95paperbound. - Volatile Bodies: Toward a Corporeal Feminism, by Elizabeth Grosz. Bloomington, IN: Indiana University Press, 1994. xvi + 256 pp., introduction, notes, bibliography, index. $35.00 clothbound; $14.95 paperbound.
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- 22 July 2014, pp. 92-95
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La Vivandière Pas de Six, choreography by Arthur Saint-Léon, text and Labanotation by Ann Hutchinson Guest. Language of Dance Series, No. 6. Swtzerland: Gordon and Breach, 1994. xiv + 166 pp., historical background, performance notes, glossary, Labanotation score, photographs, appendices, music score. $58.00 clothbound; $34.00 paperbound. - Ballade, choreography by Anna Sokolow, text and Labanotation by Ray Cook. Language of Dance Series, No. 5. Switzerland: Gordon and Breach, 1993. xiv + 154 pp., directing and production notes, performance notes, glossary, Labanotation score, photographs, appendices, music score. $50.00 clothbound. - Tudor's Soirée Musicale, choreography by Antony Tudor, Labanotation by Ann Hutchinson Guest. Language of Dance Series, No. 4. Switzerland: Gordon and Breach, 1993. xiv + 106 pp., historical background, casting and costume notes, performance notes, glossary, Labanotation score, photographs, appendix. $44.00 clothbound; $24.00 paperbound.
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- 22 July 2014, pp. 95-99
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Isadora Duncan: The Dances, by Nadia Chilkovsky Nahumck, autography by Nicholas Nahumck. Washington, D.C.: The National Museum of Women in the Arts, 1994. 532 pp., introduction, Labanotated scores, photographs, diagrams, appendices, selected bibliography. $165.00 clothbound.
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- 22 July 2014, pp. 99-101
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Books Received
Books Received
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- 22 July 2014, pp. 102-103
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Journals Received
Journals Received
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- 22 July 2014, pp. 103-104
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