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Published online by Cambridge University Press: 22 July 2014
(1) See Rhodes, Colin, Primitivism and Modern Art (London: Thames & Hudson, 1994).Google Scholar
(2) Daly, Ann, “Dance history and feminist theory: Isadora Duncan and the male gaze,” in Gender in Performance (Hanover & London: Tufts University Press, 1992).Google Scholar
(3) See Walker, John A., Cross-overs: art into pop/pop into art (London: Methuen, 1987).Google Scholar