Hostname: page-component-cd9895bd7-dzt6s Total loading time: 0 Render date: 2024-12-23T13:36:45.518Z Has data issue: false hasContentIssue false
  • English
  • Français

The Work of Dance: Labor, Movement, and Identity in the 1930s, by Mark Franko. 2002. Middletown, CT: Wesleyan University Press, ix + 213 pp., illustrations, notes, index.

Published online by Cambridge University Press:  22 July 2014

Kimerer L. LaMothe
Kimerer L. LaMothe
Affiliation:
Granville, NY
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
Dance Research Journal , Volume 37 , Issue 1 , Summer 2005 , pp. 128 - 132
Copyright
Copyright © Congress on Research in Dance 2005

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Foulkes, Julia. 2002. Modern Bodies: Dance and American Modernism from Martha Graham to Alvin Ailey. Chapel Hill, NC: University of North Carolina Press.Google Scholar
Franko, Mark. 1995. Dancing Modernism/Performing Politics. Bloomington, IN: Indiana University Press.Google Scholar
Graff, Ellen. 1997. Stepping Left: Dance and Politics in New York City, 1928–1942. Durham, NC: Duke University Press.Google Scholar
LaMothe, Kimerer. 2005. Nietzsche's Dancers: Isadora Duncan, Martha Graham, and the Revaluation of Christian Values. New York: Palgrave Press, December.Google Scholar
Manning, Susan. 1998. “Black Voices, White Bodies: The Performance of Race and Gender in How Long Brethren.” American Quarterly (50) 1: 24–46.CrossRefGoogle Scholar