Hostname: page-component-cd9895bd7-jn8rn Total loading time: 0 Render date: 2024-12-23T23:43:02.789Z Has data issue: false hasContentIssue false

Site and Re-Site: Early Efforts to Serialize Site Dance

Published online by Cambridge University Press:  19 April 2017

Abstract

In this article, I investigate the historical precedents of site-adaptive dance. After walking through the mobility discourse as applied to site-specific art by such scholars as Miwon Kwon, Fiona Wilkie, and Victoria Hunter, I examine the mobile site works of North American choreographers Ann Carlson, PearsonWidrig DanceTheater, Eiko & Koma, and Stephan Koplowitz as exemplary of early attempts to take site dance on tour. Finally, I argue for the value of employing the lens of adaptation to analyze such works, both for the field of site performance and for the larger cross-disciplinary dialogues that could be activated.

Type
Articles
Copyright
Copyright © Congress on Research in Dance 2017 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Augé, Marc. 1995. Non-Places: Introduction to an Anthropology of Supermodernity. London: Verso.Google Scholar
Blau, Eleanor. 1989. “Dancing, With Piping, Bouncing and Barking.” New York Times, September 8. http://www.nytimes.com/1989/09/08/arts/dancing-with-piping-bouncing-and-barking.html.Google Scholar
Carlson, Ann. 2009. “An Interview.” In Site Dance: Choreographers and the Lure of Alternative Spaces, edited by Kloetzel, Melanie and Pavlik, Carolyn, 104–12. Gainesville: University Press of Florida.Google Scholar
De Certeau, Michel. 1984. The Practice of Everyday Life. Translated by Rendall, Steven. Berkeley: University of California Press.Google Scholar
Duckler, Heidi. 2009. “An Interview.” In Site Dance: Choreographers and the Lure of Alternative Spaces, edited by Kloetzel, Melanie and Pavlik, Carolyn, 8493. Gainesville, FL: University Press of Florida.Google Scholar
Gottschild, Brenda Dixon. 1997. “Some Thoughts on Choreographing History.” In Meaning in Motion, edited by Desmond, Jane C., 167–77. Durham, NC: Duke University Press.CrossRefGoogle Scholar
Haigood, Joanna. 2009. “An Interview.” In Site Dance: Choreographers and the Lure of Alternative Spaces, edited by Kloetzel, Melanie and Pavlik, Carolyn, 5259. Gainesville, FL: University Press of Florida.Google Scholar
Halprin, Anna. 1965. “Yvonne Rainer Interviews Anna Halprin.” The Tulane Drama Review 10(2): 142–67.Google Scholar
Hardenbergh, Marylee. 2009. “An Interview.” In Site Dance: Choreographers and the Lure of Alternative Spaces, edited by Kloetzel, Melanie and Pavlik, Carolyn, 158–65. Gainesville, FL: University Press of Florida.Google Scholar
Harvie, Jen. 2013. Fair Play: Art, Performance and Neoliberalism. London: Palgrave Macmillan.CrossRefGoogle Scholar
Hunter, Victoria. 2012. “‘Moving Sites’: Transformation and Re-location in Site-specific Dance Performance.” Contemporary Theatre Review 22(2): 259–66.CrossRefGoogle Scholar
Kaye, Nick. 2000. Site-Specific Art: Performance, Place and Documentation. London: Routledge.Google Scholar
Kloetzel, Melanie. 2013. “Have Site, Will Travel: Container Architecture and Site-Specific Performance.” Conversations Across the Field of Dance Studies 23: 2329.Google Scholar
Kloetzel, Melanie. 2015. “Site-Specific Dance in a Corporate Landscape: Space, Place, and Non-Place.” In Moving Sites: Investigating Site-Specific Dance Performance, edited by Hunter, Victoria, 239–54. London: Routledge.CrossRefGoogle Scholar
Kloetzel, Melanie. Forthcoming a. “Site, Adapt, Perform: A Practice-as-Research Confrontation with Climate Change.” Dance Research (Summer 2017).CrossRefGoogle Scholar
Kloetzel, Melanie. Forthcoming b. “Site Dance on Tour: From Serialization to Spectacle.”Google Scholar
Kloetzel, Melanie, and Pavlik, Carolyn, eds. 2009. Site Dance: Choreographers and the Lure of Alternative Spaces. Gainesville, FL: University Press of Florida.Google Scholar
Koplowitz, Stephan. 2009a.“Still Learning, Doing, and Relearning: Thoughts on Making and Defining Site-Specific Performance.” In Site Dance: Choreographers and the Lure of Alternative Spaces, edited by Kloetzel, Melanie and Pavlik, Carolyn, 7383. Gainesville, FL: University Press of Florida.Google Scholar
Koplowitz, Stephan. 2009b. “An Interview.” In Site Dance: Choreographers and the Lure of Alternative Spaces, edited by Kloetzel, Melanie and Pavlik, Carolyn, 6472. Gainesville, FL: University Press of Florida.Google Scholar
Kreiter, Jo. 2009. “An Interview.” In Site Dance: Choreographers and the Lure of Alternative Spaces, edited by Kloetzel, Melanie and Pavlik, Carolyn, 239–46. Gainesville, FL: University Press of Florida.Google Scholar
Kwon, Miwon. 1997. “One Place After Another.” October 80: 85110.CrossRefGoogle Scholar
Kwon, Miwon. 2002. One Place After Another: Site-Specific Art and Locational Identity. Cambridge, MA: MIT Press.CrossRefGoogle Scholar
Laera, Margherita. 2014. Theatre and Adaptation: Return, Rewrite, Repeat. London: Bloomsbury.CrossRefGoogle Scholar
Massey, Doreen. 2005. For Space. London: Sage.Google Scholar
McAuley, Gay. 2005. “Site-specific Performance: Place, Memory and the Creative Agency of the Spectator.” The Journal of the Sydney University Arts Association 27: 2751.Google Scholar
Otake, Eiko. 2009a. “An Interview.” In Site Dance: Choreographers and the Lure of Alternative Spaces, edited by Kloetzel, Melanie and Pavlik, Carolyn, 179–88. Gainesville, FL: University Press of Florida.Google Scholar
Otake, Eiko. 2009b. “Feeling Wind, Feeling Gaze.” In Site Dance: Choreographers and the Lure of Alternative Spaces, edited by Kloetzel, Melanie and Pavlik, Carolyn, 188–98. Gainesville, FL: University Press of Florida.Google Scholar
Pearson, Sara, and Widrig, Patrik. 2009. “An Interview.” In Site Dance: Choreographers and the Lure of Alternative Spaces, edited by Kloetzel, Melanie and Pavlik, Carolyn, 217–28. Gainesville, FL: University Press of Florida.Google Scholar
Steger, Manfred, and Roy, Ravi K.. 2010. Neoliberalism: A Very Short Introduction. Oxford, UK: Oxford University Press.CrossRefGoogle Scholar
Tuan, Yi-Fu. 1977. Space and Place: The Perspective of Experience. Minneapolis: University of Minnesota Press.Google Scholar
Watts, Michael. 2009. “Adaptation.” In The Dictionary of Human Geography, edited by Gregory, D., 78. Oxford, UK: Blackwell Publishers. Retrieved from http://ezproxy.lib.ucalgary.ca/login?url=http://literati.credoreference.com/content/entry/bkhumgeo/adaptation/0.Google Scholar
Wilkie, Fiona. 2002. “Mapping the Terrain: A Survey of Site-specific Performance in Britain.” New Theatre Quarterly 18(2): 140–60.CrossRefGoogle Scholar
Wilkie, Fiona. 2012. “Site-Specific Performance and the Mobility Turn.” Contemporary Theatre Review 22(2): 203–12.CrossRefGoogle Scholar
Wilkie, Fiona. 2015. Performance, Transport, and Mobility. London: Palgrave Macmillan.CrossRefGoogle Scholar