Hostname: page-component-6bf8c574d5-vmclg Total loading time: 0 Render date: 2025-02-16T17:20:00.785Z Has data issue: false hasContentIssue false
  • English
  • Français

The Royalty of Negro Vaudeville: The Whitman Sisters and the Negotiation of Race, Gender, and Class in African American Theater, 1900–1940, by Nadine George-Graves. 2000. New York: St. Martin's Press, xviii + 183 pp., photographs, appendices, notes, bibliography, index. $49.95 cloth.

Published online by Cambridge University Press:  22 July 2014

Michael Dinwiddie
Michael Dinwiddie
Affiliation:
The Gallatin School New York University
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
Dance Research Journal , Volume 33 , Issue 2 , Winter 2001 , pp. 134 - 138
Copyright
Copyright © Congress on Research in Dance 2001

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Gatewood, Willard B. 1990. Aristocrats of Color: The Black Elite, 1880–1920. Bloomington: Indiana University Press.Google Scholar
Sampson, Henry. 1980. Blacks in Blackface: A Source Book on Early Black Musical Shows. Metuchen, NJ: Scarecrow Press.Google Scholar
Sherman, Joan R. 1989. Invisible Poets: Afro-Americans of the Nineteenth Century. Chicago and Urbana: University of Illinois Press.Google Scholar