Hostname: page-component-586b7cd67f-vdxz6 Total loading time: 0 Render date: 2024-11-24T15:52:54.440Z Has data issue: false hasContentIssue false

Piaget for Dance Educators: A Theoretical Study

Published online by Cambridge University Press:  22 July 2014

Extract

Most individuals who spend serious time with children recognize that children are not simply small versions of adults. Not only are their bodies different, but they also think differently. The dance educator, just like other educators, must attempt to see the world from the child's point of view if the teaching-learning process is to be successful.

One framework for conceiving the world from the child's point of view comes from Jean Piaget, a scientist who was interested in the development of cognitive skills used in science—ordering, classifying, inferring, thinking in propositions, and hypothesizing. Such skills are important not only in science, but in any logical use of the intellect. Inasmuch as dance educators claim interest in the child's intellectual as well as emotional and physical self, an understanding of Piaget's theories may generate valuable insight. Yet neither Piaget nor his many followers who have applied his theories to specific areas of education have examined dance education through this lens.

Type
Research Article
Copyright
Copyright © Congress on Research in Dance 1985

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

REFERENCES

Cowan, P. A. (1978). Piaget: with feeling. New York: Holt, Rinehart & Winston.Google Scholar
Csikszentmihaly, M. (1978). Phylogenetic and ontogenetic functions of artistic cognition. In Madeja, S. S. (Ed.), The arts, cognition, and basic skills. St. Louis: Cemrel.Google Scholar
Furth, H. G. (1970). Piaget for teachers. Englewood Cliffs: Prentice-Hall.Google Scholar
Ginsburg, H. and Opper, S. (1969). Piaget's theory of intellectual development. Englewood Cliffs: Prentice-Hall.Google Scholar
Kestenberg, J. S. (1967). The role of movement patterns in development. New York: Dance Notation Bureau.CrossRefGoogle Scholar
North, M. (1973). Movement education: child development through body motion. London: J. M. Dent.Google Scholar
Olson, D. R. (1978). The arts as basic skills: three cognitive functions of symbols. In Madeja, S. S. (Ed.), The arts, cognition, and basic skills. St. Louis: Cemrel.Google Scholar
Piaget, J. (1929). The child's conception of the world (Tomlinson, J. & A., Trans.). N.Y.: Harcourt Brace.Google Scholar
Piaget, J. (1962). Play, dreams and imitation in childhood (Gattegno, C. & Hodgson, F. M., Trans.). New York: W. W. Norton.Google Scholar
Piaget, J. (1972). Intellectual development from adolescence to adulthood (Bliss, J. & Furth, H., Trans.). Human development 15, 112.Google Scholar
Polanyi, M. (1958). Personal knowledge. Chicago: University of Chicago Press.Google Scholar
Rugg, H. (1963). Imagination. New York: Harper & Row.Google Scholar
Silvers, A. (1978). Show and tell: the arts, cognition, and basic modes of referring. In Madeja, S. S. (Ed.), The arts, cognition, and basic skills. St. Louis: Cemrel.Google Scholar
Stinson, S. W. (1977). Movement as creative interaction with the child. Young children 32, 4953.Google Scholar
Sweigard, L. (1974). Human movement potential. New York: Harper & Row.Google Scholar
Wadsworth, B. J. (1971). Piaget's theory of cognitive development. New York: David McKay.Google Scholar
Werner, H. & Kaplan, B. (1964). Symbol formation: an organismicdevelopmental approach to language and the expression of thought. N.Y.: John Wiley.Google Scholar
Zukav, G. (1976). The dancing Wuli masters. New York: Bantam.Google Scholar