Hostname: page-component-586b7cd67f-t8hqh Total loading time: 0 Render date: 2024-11-24T18:02:31.207Z Has data issue: false hasContentIssue false

Phenomenology and Dance: Husserlian Meditations

Published online by Cambridge University Press:  09 February 2012

Extract

The dimming of the house lights focuses attention on the still darkened stage, although awareness of the others in the auditorium and its quieted bustle does not entirely fade. From the stage, the sound of several people taking five or six measured footsteps in unison, then stopping, momentarily precedes the lights (stage and house) fading quickly up to reveal nine performers. They stand, facing out, dressed in ordinary clothes (shirt and jacket, jumper and skirt, different colors), steady gaze directed at the audience. They stand in the gaps between a series of reflective slabs, each of the same regular dimensions, slightly wider and taller than the performers themselves. Behind the performers is a further line of panels cut from the same material. After a brief pause, the space darkens.

Type
Articles
Copyright
Copyright © Congress on Research in Dance 2011

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Carr, David. 1987. “Thought and Action in the Art of Dance.” British Journal of Aesthetics 27(4): 345–57.CrossRefGoogle Scholar
Carr, David. 2003. “Transcendental and Empirical Subjectivity: The Self in the Transcendental Tradition.” In The New Husserl: A Critical Reader, edited by Welton, Donn, 181–98. Bloomington: Indiana University Press.Google Scholar
Carroll, Noël. 2003. “The Philosophy of Art History, Dance, and the 1960s.” In Reinventing Dance in the 1960s: Everything Was Possible, edited by Banes, Sally, 8197. Madison: University of Wisconsin Press.Google Scholar
Cooper, David, ed. 1992. The Blackwell Companion to Aesthetics. Oxford: Blackwell.Google Scholar
Danto, Arthur C. 1981. The Transfiguration of the Commonplace: A Philosophy of Art. Cambridge, MA: Harvard University Press.Google Scholar
Derrida, Jacques. 1973. Speech and Phenomena. Translated by Allison, David B.. Evanston, IL: Northwestern University Press.Google Scholar
Derrida, Jacques. 1978. Edmund Husserl's Origin of Geometry: An Introduction. Translated by Leavey, John. New York: Nicholas Hays.Google Scholar
Derrida, Jacques. 2003. The Problem of Genesis in Husserl's Philosophy. Chicago: University of Chicago Press.CrossRefGoogle Scholar
Dodd, Julian. 2007. Works of Music: An Essay in Ontology. Oxford: Clarendon Press.Google Scholar
Drummond, John. 1979. “On Seeing a Material Thing in Space: The Role of Kinesthesis in Visual Perception.” Philosophy and Phenomenological Research 40: 1932.Google Scholar
Fraleigh, Sondra Horton. 1987. Dance and the Lived Body: A Descriptive Aesthetics. Pittsburgh, PA: University of Pittsburgh Press.Google Scholar
Fraleigh, Sondra Horton. 1998. “A Vulnerable Glance: Seeing Dance Through Phenomenology.” In The Routledge Dance Studies Reader, edited by Carter, Alexandra, 135–43. First edition. London: Routledge.Google Scholar
Gottleib, Paula. 2007. “Aristotle on Non-Contradiction.” In Stanford Encyclopedia of Philosophy. Online at http://plato.stanford.edu/entries/aristotle-noncontradiction/, accessed February 2, 2010.Google Scholar
Held, Klaus. 2003. “Husserl's Phenomenological Method.” Translated by Rodemeyer, Lanei, in The New Husserl: A Critical Reader, edited by Rodemeyer, Lanei, in 331. Bloomington: Indiana University Press.Google Scholar
Husserl, Edmund. 1970a. Logical Investigations. Translated by Flindlay, J. N.. London: Routledge and Kegan Paul.Google Scholar
Husserl, Edmund. 1970b. The Crisis of the European Sciences and Transcendental Phenomenology: An Introduction to Phenomenological Philosophy. Translated by Carr, David. Evanston, IL: Northwestern University Press.Google Scholar
Husserl, Edmund. 1977. Cartesian Meditations: An Introduction to Phenomenology. Translated by Cairns, Dorion. The Hague: Martinus Nijhoff.CrossRefGoogle Scholar
Husserl, Edmund. 1982. Ideas Pertaining to a Pure Phenomenology and to a Phenomenological Philosophy, First Book. Translated by Kersten, Fred. The Hague: Martinus Nijhoff.CrossRefGoogle Scholar
Husserl, Edmund. 1989. Ideas Pertaining to a Pure Phenomenology and to a Phenomenological Philosophy, Second Book. Translated by Rojcewicz, Richard and Schuwer, André. Dordrecht: Kluwer Academic.Google Scholar
Husserl, Edmund. 1990. On the Phenomenology of the Consciousness of Internal Time. Translated by Brough, J. B.. Dordrecht: Kluwer Academic.Google Scholar
Husserl, Edmund. 1997. Thing and Space: Lectures of 1907. Translated by Rojcewicz, Richard. Dordrecht: Kluwer Academic.Google Scholar
Ingarden, Roman. 1973. The Literary Work of Art: An Investigation on the Borderlines of Ontology, Logic and Theory of Literature. Translated by Grabowicz, George G.. Evanston, IL: Northwestern University Press.Google Scholar
Ingarden, Roman. 1989. Ontology of the Work of Art: The Muscial Work, the Picture, the Architectural Work, the Film. Translated by Meyer, Raymond. Athens: Ohio University Press.Google Scholar
Jaeger, Suzanne. 2001. “Dancing in a Virtual Moment: Look Mom No Flesh!Proceedings of the Society for Dance History Scholars 24: 43–8.Google Scholar
Kivy, Peter. 1993. The Fine Art of Repetition: Essays in the Philosophy of Music. Cambridge, UK: Cambridge University Press.Google Scholar
Klemola, Timo. 1991a. “Dance and Embodiment.” Ballett International 14(1): 7081.Google Scholar
Klemola, Timo. 1991b. “Frame, Look and Movement: The Phenomenology of Dance”. Ballett International 14(2): 12–5.Google Scholar
Kozel, Susan. 1994. As Vision Becomes Gesture. PhD thesis. Colchester: University of Essex.Google Scholar
Kozel, Susan. 2007. Closer: Performance, Technologies, Phenomenology. Cambridge, MA: MIT Press.Google Scholar
Levinson, Jerrold. 1990. Music, Art and Metaphysics. Ithaca, NY: Cornell University Press.Google Scholar
Margolis, Joseph. 1974. “Works of Art as Physically Embodied and Culturally Emergent Entities.” British Journal of Aesthetics 14(3): 187–96.CrossRefGoogle Scholar
Marin, Maguy. chor. 2004. Umwelt. Premièred at the Centre Culturel de Decines – Le Toboggan, 30th November.Google Scholar
McFee, Graham. 1992. Understanding Dance. London: Routledge.Google Scholar
Mensch, James Richard. 2001. Postfoundational Phenomenology: Husserlian Reflections on Presence and Embodiment. University Park: Pennsylvania State University Press.Google Scholar
Mikunas, Algis, and Stewart, David. 1974. Exploring Phenomenology: A Guide to the Field and Its Literature. Chicago: American Literary Association.Google Scholar
Mitscherling, Jeff. 1997. Roman Ingarden's Ontology and Aesthetics. Ottawa: University of Ottawa Press.Google Scholar
Moran, Dermot. 2000. Introduction to Phenomenology. London: Routledge.Google Scholar
Nagel, Thomas. 1974. “What Is It Like to Be a Bat?Philosophical Review 83(4): 435–50.Google Scholar
Pakes, Anna. 2006. “Dance's Mind-Body Problem.” Dance Research 24(2): 87104.Google Scholar
Parviainen, Jaana. 1998. Bodies Moving and Move: A Phenomenological Analysis of the Dancing Subject and the Cognitive and Ethical Values of Dance Art. Tampere, Finland: Tampere University Press.Google Scholar
Ricoeur, Paul. 1987. À L’École de la Phénoménologie. Paris: Vrin.Google Scholar
Rothfield, Philipa. 2010. “Differentiating Phenomenology and Dance.” In The Routledge Dance Studies Reader, edited by Carter, Alexandra and O'Shea, Janet, 303–18. Second edition. London: Routledge.Google Scholar
Shear, Jonathan. 1999. Explaining Consciousness: The Hard Problem. Cambridge, MA: MIT Press.Google Scholar
Sheets-Johnstone, Maxine. 1978. “Phenomenology: An Approach to Dance.” In The Dance Experience: Readings in Dance Appreciation, edited by Nadel, Myron Howard and Miller, Constance Nadel, 3348. New York: Universe Books.Google Scholar
Sheets-Johnstone, Maxine. 1979. The Phenomenology of Dance. Second edition [first edition 1966]. London: Dance Books.Google Scholar
Sheets-Johnstone, Maxine. 1981. “Thinking in Movement.” Journal of Aesthetics and Art Criticism 39(4): 399407.CrossRefGoogle Scholar
Sheets-Johnstone, Maxine. 1984. “Phenomenology as a way of illuminating dance.” In Illuminating Dance: Philosophical Explorations, edited by Sheets-Johnstone, Maxine, 124–45. Lewisburg, PA: Bucknell University Press.Google Scholar
Smith, Barry, and Smith, David Woodruff, eds. 1995. The Cambridge Companion to Husserl. Cambridge, UK: Cambridge University Press.Google Scholar
Stewart, Nigel. 1998. “Re-Languaging the Body: Phenomenological Description and the Dance Image.” Performance Research 3(2): 4253.CrossRefGoogle Scholar
Thagard, Paul. 2010. “Cognitive Science.” Second edition. In Stanford Encyclopedia of Philosophy. Online at: http://plato.stanford.edu/entries/cognitive-science/, accessed February 2, 2010.Google Scholar
Tye, Michael. 2007. “Qualia.” Second edition. In Stanford Encyclopedia of Philosophy. Online at: http://plato.stanford.edu/entries/qualia, accessed February 2, 2010.Google Scholar
Welton, Donn. 2000. The Other Husserl: The Horizons of Transcendental Phenomenology. Bloomington: Indiana University Press.Google Scholar
Welton, Donn, ed. 2003. The New Husserl: A Critical Reader. Bloomington: Indiana University Press.Google Scholar
Wilkinson, Robert. 2000. Minds and Bodies: An Introduction with Readings. London: Routledge.Google Scholar
Zahavi, Dan. 2003a. “Husserl's Intersubjective Transformation of Transcendental Philosophy.” In The New Husserl: A Critical Reader, edited by Welton, Donn, 233–51. Bloomington: Indiana University Press.Google Scholar
Zahavi, Dan. 2003b. Husserl's Phenomenology. Stanford, CA: Stanford University Press.Google Scholar