Crossref Citations
This article has been cited by the following publications. This list is generated based on data provided by
Crossref.
Goldstein, Jennie
2016.
Dance History in Contemporary Visual Art Practice: Kelly Nipper’s Weather Center.
TDR/The Drama Review,
Vol. 60,
Issue. 2,
p.
103.
Bawin, Julie
and
Mairesse, François
2016.
Introduction.
Culture & musées,
p.
13.
Bardiot, Clarisse
2017.
Organiser et conserver la mémoire de l’éphémère : Les capsules de MemoRekall.
Culture & musées,
p.
159.
Boucher, Mélanie
2017.
Pour une histoire du corps muséifié : les images schématiques en performance.
Culture & musées,
p.
81.
Bishop, Claire
2018.
Black Box, White Cube, Gray Zone: Dance Exhibitions and Audience Attention.
TDR/The Drama Review,
Vol. 62,
Issue. 2,
p.
22.
Finbow, Acatia
2018.
Multiplicity in the documentation of performance-based artworks: Displaying multi-media documentation in Rebecca Horn’sBody Sculpturesat Tate.
Journal of New Music Research,
Vol. 47,
Issue. 4,
p.
291.
2019.
Nanako Nakajima in Conversation with Yvonne Rainer.
Performance Research,
Vol. 24,
Issue. 3,
p.
13.
Molina Olmos, Blanca
2021.
Bailando en el Museo Reina Sofía. El Judson Dance Theater, más allá de la danza minimalista.
Revista Historia Autónoma,
p.
183.
Wynne-Jones, Victoria
2021.
Choreographing Intersubjectivity in Performance Art.
p.
1.
Finbow, Acatia
2021.
Moving Spaces
Enacting Dance, Performance, and the Digital in the Museum
.
Siegmund, Gerald
2021.
Moving Spaces
Enacting Dance, Performance, and the Digital in the Museum
.
Yermakova, Tetiana
Iermakov, Sergii
Tomanek, Mateusz
Jagiello, Wladyslaw
and
Zavatska, Lidiya
2023.
The influence of visitors’ specific motor actions on the perception and evaluation of museum exhibits.
Pedagogy of Physical Culture and Sports,
Vol. 27,
Issue. 3,
p.
235.
2023.
Wie kommt Tanz ins Museum?.
Vol. 67,
Issue. ,
Istvandity, Lauren
Baker, Sarah
and
Long, Paul
2024.
Creative futures for cultural heritage: a typology of creative practice in the GLAM sector – towards a creative heritage approach.
Museum Management and Curatorship,
p.
1.