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Martha Graham in Love and War: The Life in the Work by Mark Franko. 2012. Oxford and New York: Oxford University Press. 240 pp., 31 illustrations, notes, bibliography, index. $29.95 cloth.

Published online by Cambridge University Press:  25 March 2014

Rebekah Kowal*
Affiliation:
University of Iowa

Abstract

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Type
Book Reviews
Copyright
Copyright © Congress on Research in Dance 2013 

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References

Works Cited

Burt, Ramsay. 1998. “Dance, Gender and Psychoanalysis: Martha Graham's Night Journey.” Dance Research Journal 30(1): 3453.Google Scholar
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Franko, Mark. 1989. “Repeatability, Reconstruction and Beyond.” Theatre Journal 41(1): 5674.CrossRefGoogle Scholar
Franko, Mark. 1995. Dancing Modernism/Performing Politics. Bloomington, IN: Indiana University Press.Google Scholar
Graff, Ellen. 1997. Stepping Left: Dance and Politics in New York City, 1928–1942. Durham, NC: Duke University Press.Google Scholar
Kowal, Rebekah. 2010. How to Do Things with Dance: Performing Change in Postwar America. Middletown, CT: Wesleyan University Press.Google Scholar
Lee, Felicia R. 2004. “Graham Legacy, on the Stage Again,” The New York Times (29 September) (accessed July 10, 2013) http://www.nytimes.com/2004/09/29/arts/dance/29grah.html?_r=0.Google Scholar
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Manning, Susan. 1996. “American Document and American Minstrelsy.” In Moving Words, Re-Writing Dance, edited by Morris, Gay, 183202. London: Routledge.Google Scholar
Morris, Gay. 2001. “Bourdieu, the Body, and Graham's Post-War Dance.” Dance Research 19(2): 5282.Google Scholar
Morris, Gay. 2006. A Game for Dancers: Performing Modernism in the Postwar Years, 1945–1960. Middletown, CT: Wesleyan University Press.Google Scholar
Schwartz, Selby Wynn. 2010. “Martha@Martha: A Séance with Richard Move.” Women & Performance: A Journal of Feminist Theory 20(1): 6187.CrossRefGoogle Scholar
Shea-Murphy, Jacqueline. 2007. The People Have Never Stopped Dancing: Native American Modern Dance Histories. Minneapolis, MN: University of Minnesota Press.Google Scholar