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Kazuo Ohno's World: From Within and Without, by Yoshito Ohno and Kazuo Ohno. 2004. Translated by John Barrett. Middletown, CT: Wesleyan University Press, xviii + 326 pp., illustrations, introductions, endnotes, appendices. $34.95 paper.

Published online by Cambridge University Press:  22 July 2014

Judith Halebsky
Judith Halebsky
Affiliation:
University of California, Davis
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Type
Reviews
Information
Dance Research Journal , Volume 38 , Issue 1-2 , Summer/Winter 2006 , pp. 196 - 199
Copyright
Copyright © Congress on Research in Dance 2006

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References

Works Cited

Eckersall, Peter. 2001. “The Body and the Problematics of Representation in the Theatre of Gekidan Kataisha.” In Japanese Theatre and The International Stage. Ed. Scholz-Cionca, Stanca and Leiter, Samuel L., 313–27. Boston: Brill Press.Google Scholar
Klein, Susan Blakeley. 1989. Ankoku Butô: The Premodern and Postmodern Influences on the Dance of Utter Darkness. Cornell East Asia Series #49. Ithaca, N. Y.: Cornell University East Asia Program.Google Scholar
Marotti, William. 1997. “Butô no Mondaisei to Honshitsu Shugi Wana” (The Problematics of Butô and the Essentialist Trap). Shiataa Aatsu (Theatre Arts) 8: 88–96.Google Scholar
Sas, Miryam. 1999. Fault Lines: Cultural Memory and Japanese Surrealism. Stanford, Calif.: Stanford University Press.Google Scholar