Hostname: page-component-586b7cd67f-l7hp2 Total loading time: 0 Render date: 2024-11-22T06:46:45.387Z Has data issue: false hasContentIssue false
  • English
  • Français

Isadora Duncan in the 21st Century: Capturing the Art and Spirit of the Dancer's Legacy by Andrea Mantell Seidel . 2015. Jefferson, NC: McFarland & Company. 272 pp., 39 b&w illustrations, notes, bibliography, index. $40.00 paper. ISBN: 978-0-7864-7795-1

Review products

Isadora Duncan in the 21st Century: Capturing the Art and Spirit of the Dancer's Legacy by Andrea Mantell Seidel . 2015. Jefferson, NC: McFarland & Company. 272 pp., 39 b&w illustrations, notes, bibliography, index. $40.00 paper. ISBN: 978-0-7864-7795-1

Published online by Cambridge University Press:  19 April 2017

Meg Brooker
Meg Brooker*
Affiliation:
Middle Tennessee State University
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Information
Dance Research Journal , Volume 49 , Issue 1 , April 2017 , pp. 95 - 97
Copyright
Copyright © Congress on Research in Dance 2017 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Albright, Ann Cooper. 1997a. “Auto-body Stories: Blondell Cummings and Autobiography in Dance.” In Meaning in Motion, edited by Desmond, Jane C., 179–206. Durham, NC: Duke University Press,Google Scholar
Albright, Ann Cooper. 1997b. Choreographing Difference: The Body and Identity in Contemporary Dance. Middletown, CT: Wesleyan University Press; Hanover, NH: University Press of New England.Google Scholar
Banes, Sally. 1998. Dancing Women: Female Bodies Onstage. New York: Routledge.Google Scholar
Daly, Ann. 2002. Critical Gestures: Writings on Dance and Culture. Middletown, CT: Wesleyan University Press.Google Scholar
Daly, Ann. 1995. Done into Dance: Isadora Duncan in America. Bloomington: Indiana University Press.Google Scholar
Daly, Ann. 1992. “Dance History and Feminist Theory: Reconsidering Isadora Duncan and the Male Gaze.” In Gender in Performance: The Presentation of Difference in the Performing Arts, edited by Senelick, Laurence, 239–259. Hanover, NH: University Press of New England.Google Scholar
Duncan, Irma. 1970. The Technique of Isadora Duncan as Taught by Irma Duncan. Brooklyn: Dance Horizons.Google Scholar
Isadora Duncan Dance: Technique and Repertory. 1995. A Dance Horizons Video. Commentary by Mantell-Seidel, Andrea. Levien, Julia, artistic advisor. Pennington, NJ: Princeton Book Company.Google Scholar
Levien, Julia. 1994. Duncan Dance: A Guide for Young People Ages Six to Sixteen. Pennington, NJ: Dance Horizons.Google Scholar
Manning, Susan. 1997. “The Female Dancer and the Male Gaze: Feminist Critiques of Early Modern Dance.” In Meaning in Motion, edited by Desmond, Jane C., 153–166. Durham, NC: Duke University Press.Google Scholar
Nahumck, Nadia Chilkovksy. 1994. Isadora Duncan: the Dances. Washington, DC: National Museum of Women in the Arts.Google Scholar