Listening to the work presented at the 2001 meeting of the Congress on Research in Dance, “Transmigratory Moves,” one could not help noticing that both established and emerging dance scholars were in the process of attempting to find a fuller and more accurate way of understanding the relationship between global political and economic forces and movement praxis. The following articles (all extended versions of work presented at the conference) exemplify different aspects of these new initiatives in our field. As Shanti Pillai points out in her piece, the term “globalization” has tended to provoke two kinds of responses: either panic over the global imposition of American corporate culture, or else celebration of cultural hybridity and the resilience of indigenous forms. Both of these responses can often present a reductive view of what are, in fact, highly complex phenomena. All three of the articles presented here attempt a more nuanced narrative of the effects of traveling choreographic and movement practices.