Hostname: page-component-78c5997874-mlc7c Total loading time: 0 Render date: 2024-11-05T04:06:58.917Z Has data issue: false hasContentIssue false
  • English
  • Français

Conference Panel to Honor Mark Franko's Editorship of DRJ: January 1, 2009–December 31, 2016

CORD+SDHS 2017 Conference: Transmissions and Traces: Rendering Dance, The Ohio State University in Columbus, Ohio, USA, on October 19–22, 2017

Published online by Cambridge University Press:  16 May 2018

Danielle Goldman ,
Rebekah J. Kowal ,
André Lepecki ,
Gay Morris ,
Holly Buttimore  and
Helen Thomas
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Conference Panel
Information
Dance Research Journal , Volume 50 , Issue 1 , April 2018 , pp. 6 - 22
Copyright
Copyright © Dance Studies Association 2018 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

AuthorAID. n.d. Supporting Developing Country Researchers in Publishing Their Work.” Accessed January 19, 2017. http://www.authoraid.info/en/.Google Scholar
Catterson, Pat. 2009. “A Dancer Writes: I Promised Myself I Would Never Let It Leave my Body's Memory.” Dance Research Journal 41 (2): 3–11.Google Scholar
Chaput, Catherine. 2010. “Rhetorical Circulation in Late Capitalism: Neoliberalism and the Overdetermination of Affective Energy.” Philosophy and Rhetoric 43 (1):11–25.Google Scholar
Foster, Susan Leigh. 1995. Choreographing History. Bloomington, IN: Indiana University Press.Google Scholar
Foster, Susan Leigh, ed. 1996. Corporealities. London: Routledge.Google Scholar
Franko, Mark. 1986. The Dancing Body in Renaissance Choreography (c. 1416–1589). Birmingham, AL: Summa Publications.Google Scholar
Franko, Mark. 1989. “Repeatability, Reconstruction and Beyond.” Theatre Journal 41 (1): 56–74.Google Scholar
Franko, Mark. 1993. Dance as Text: Ideologies of the Baroque Body. Cambridge, UK: Cambridge University Press.Google Scholar
Franko, Mark 1995. Dancing Modernism/Performing Politics. Bloomington, IN: Indiana University Press.Google Scholar
Franko, Mark. 2000. “Figural Inversions of Louis XIV Dancing Body.” In Acting on the Past: Historical Performance across the Disciplines, edited by Franko, Mark and Richards, Annette, 35–51 Hanover, NH: Wesleyan University Press, published by University Press of New England.Google Scholar
Franko, Mark. 2002. The Work of Dance: Labor, Movement, and Identity in the 1930s. Middletown, CT: Wesleyan University Press.Google Scholar
Franko, Mark. 2010a. “Editor's Note: States of the Body.” Dance Research Journal 42 (1): v–viii.Google Scholar
Franko, Mark. 2010b. “Editor's Note: Corporeal (W)RI(gh)TEs: New Perspectives on Bodies as Categories of Research.” Dance Research Journal 42 (2): v–vi.Google Scholar
Franko, Mark. 2011. “Editor's Note: The Choreographic Identity in Question.” Dance Research Journal 43 (1): v–vi.Google Scholar
Franko, Mark. 2012a. “Editor's Note: Revaluing the Score: Archival Futurity.” Dance Research Journal 44 (2): 1–2.Google Scholar
Franko, Mark. 2012b. Martha Graham in Love and War: The Life in the Work. New York: Oxford University Press.Google Scholar
Franko, Mark. 2015. Dance as Text: Ideologies of the Baroque Body, Revised ed. Oxford, UK: Oxford University Press.Google Scholar
Franko, Mark, and Richards, Annette. 2000. “Actualizing Absence: The Pastness of Performance.” In Acting on the Past: Historical Performance Across the Disciplines, edited by Richards, Mark Franko Annette, 1–9. Hanover, NH: Wesleyan University Press.Google Scholar
Franko, Mark, and Lepecki, André, eds. 2014. “Special Issue: Dance and the Museum.” Dance Research Journal 46 (3): 1–117.Google Scholar
Kowal, Rebekah J. 2010. How to Do Things with Dance: Performing Changes in Postwar America. Middletown, CT: Wesleyan University Press.Google Scholar
Franko, Mark. 2013. “Martha Graham in Love and War: The Life in the Work by Mark Franko.” Review. Dance Research Journal 45 (3):143–50.Google Scholar
Kraut, Anthea. 2011. “White Womanhood, Property Rights, and the Campaign for Choreographic Copyright: Loïe Fuller's Serpentine Dance.” Dance Research Journal 43 (1): 3–26.Google Scholar
Lepecki, André. 2010. “The Body as Archive: Will to Re-Enact and the Afterlives of Dances.” Dance Research Journal 42 (2): 28–48.CrossRefGoogle Scholar
Morris, Gay, ed. 1996. Moving Words: Re-Writing Dance. London: Routledge.Google Scholar
Nachbar, Martin. 2012. “A Dance Writes: Training Remembering.” Dance Research Journal 44 (2): 3–12.Google Scholar
Rainer, Yvonne. 2009. “A Dance Writes: Trio A: Genealogy, Documentation, Notation.” Dance Research Journal 41 (2): 12–18.Google Scholar