Hostname: page-component-cd9895bd7-q99xh Total loading time: 0 Render date: 2024-12-21T14:02:37.340Z Has data issue: false hasContentIssue false
  • English
  • Français

Aloha America: Hula Circuits Through the U.S. Empire by Adria L. Imada. 2012. Durham, NC: Duke University Press, 374 pp. text, appendices, notes, glossary, bibliography, index. $24.95 paper.

Published online by Cambridge University Press:  25 June 2014

Angeline Shaka
Angeline Shaka*
Affiliation:
University of North Carolina, Chapel Hill
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Information
Dance Research Journal , Volume 46 , Issue 1 , April 2014 , pp. 136 - 141
Copyright
Copyright © Congress on Research in Dance 2014 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Buck, Elizabeth. 1994. Paradise Remade: The Politics of Culture and History in Hawaii. Philadelphia: Temple University Press.Google Scholar
Deloria, Philip J. 1998. Playing Indian. New Haven, CT: Yale University Press.Google Scholar
Desmond, Jane. 1997. “Invoking ‘The Native’: Body Politics in Contemporary Hawaiian Tourist Shows.” TDR 41(4): 83–109.CrossRefGoogle Scholar
Desmond, Jane. 1999. Staging Tourism: Bodies on Display from Waikiki to Sea World. Chicago: University of Chicago Press.Google Scholar
Foster, Susan Leigh. 1996. Corporealities: Dancing Knowledge, Culture and Power. London: Routledge.Google Scholar
Foster, Susan Leigh. ed. 2009. Worlding Dance. New York: Palgrave Macmillan.Google Scholar
“Hula Fest Returns to Japan.” 2012. http://www.yomiuri.co.jp/dy/features/arts/T120725003434.htm. Daily Yomiuri Online. (In Japanese.) Accessed November 25, 2012.Google Scholar
Imada, Adria. 2004. “Hawaiians on Tour: Hula Circuits through the American Empire.” American Quarterly 56(1): 111–49.Google Scholar
Kaeppler, Adrienne. 1993. Hula Pahu: Hawaiian Drum Dances: Ha'a and Hula Pahu Sacred Movements. Honolulu: Bishop Museum Press.Google Scholar
Kameʻ elihiwa, Lilikalā. 1992. Native Land and Foreign Desires: A History of Land Tenure Change in Hawai'i from Traditional Times Until the 1848 Māhele, Including an Analysis of Hawaiian Aliʻi Nui and American Calvinists. Honolulu: Bishop Museum Press.Google Scholar
Macaulay, Alistair. 2012. “Indian Fusion and Traditional Hula.” The New York Times online edition, October 8. http://www.nytimes.com/2012/10/09/arts/dance/fall-for-dance-at-city-center-with-hawaiian-and-indian-work.html (accessed November 25, 2012).Google Scholar
Osorio, Jonathan. 2002. Dismembering Lāhui: A History of the Hawaiian Nation to 1887. Honolulu: University of Hawaiʻi Press.Google Scholar
Shea Murphy, Jacqueline. 2007. The People Have Never Stopped Dancing: Native American Modern Dance Histories. Minneapolis, MN: University of Minnesota Press.Google Scholar
Silva, Noenoe. 2004. Aloha Betrayed: Native Hawaiian Resistance to American Colonialism. Durham, NC: Duke University Press.Google Scholar
Smith, Linda Tuhiwai. 1999. Decolonizing Methodologies: Research and Indigenous Peoples. London: Zed Books Ltd.Google Scholar
Taylor, Diana. 2003. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham, NC: Duke University Press.Google Scholar
Teaiwa, Teresia K. 1994. “Bikinis and Other S/Pacific N/Oceans.” Contemporary Pacific 6(1): 87–109.Google Scholar
Trask, Haunani Kay. 1999. From a Native Daughter: Colonialism and Sovereignty in Hawaii. Honolulu: University of Hawaii Press.Google Scholar