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African Art in Motion: Icon and Act - Robert Farris Thompson. University of California Press, Berkeley and Los Angeles, 1974. 276 pp. $20.00, $9.95 paperback.

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Robert Farris Thompson. University of California Press, Berkeley and Los Angeles, 1974. 276 pp. $20.00, $9.95 paperback.

Published online by Cambridge University Press:  22 July 2014

Judith Lynne Hanna
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Type
Reviews
Information
Dance Research Journal , Volume 7 , Issue 1 , Fall/Winter 1975 , pp. 31 - 33
Copyright
Copyright © Congress on Research in Dance 1975

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References

Blacking, John J. “The Values of Music in Human Experience,” in Ringer, Alexander L., ed., Yearbook of the International Folk Music Council, Vol. 1, Urbana: University of Illinois Press, pp. 33–71, 1971.Google Scholar
Drewal, Margaret Thompson and Jackson, Glorianne. Sources on African and African-Related Dance. New York: American Dance Guild, 1974.Google Scholar
Hanna, Judith Lynne. African Dance as Human Behavior: A Selected Bibliography. New York: Fordham University, Lincoln Center, African Dance Institute, 1970.Google Scholar
Preston, George N. “Review of African Art in Cultural Perspective.” African Arts 7(4):89–94, 1974.CrossRefGoogle Scholar
Wescott, Joan. “The Sculpture and Myths of Eshu-Elegba, the Yoruba Trickster: Definition and Interpretation in Yoruba Iconography.” Africa 32:336–354. 1962.CrossRefGoogle Scholar