We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
Modern Bodies: Dance and American Modernism from Martha Graham to Alvin Ailey, by Julia L. Foulkes. Chapel Hill: University of North Carolina Press, 2002. xiv + 257 pp, 30 black-and-white illustrations. $49.95 cloth, $18.95 paper.
Published online by Cambridge University Press:
22 July 2014
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)
Foster, Susan. 2002. Dances That Describe Themselves: The Improvised Choreography of Richard Bull. Middletown, CT: Wesleyan University Press.Google Scholar
Franko, Mark. 2002. The Work of Dance: Labor, Movement, and Identity in the 1930s. Middletown, CT: Wesleyan University Press.Google Scholar
Manning, Susan. 1998b. “Black Voices, White Bodies: The Performance of Race and Gender in How Long Brethren.” American Quarterly50, no. 1: 24–46.CrossRefGoogle Scholar
Melosh, Barbara. 1991. Engendering Culture: Manhood and Womanhood in New Deal Public Art and Theater. Washington: Smithsonian Institution Press.Google Scholar
Parker, Andrew, Russo, Mary, Sommer, Doris, and Yeager, Patricia. 1992. Nationalisms & Sexualities. New York: Routledge.Google Scholar
Perpener, John O.2001. African-American Concert Dance: The Harlem Renaissance and Beyond. Urbana: University of Illinois Press.Google Scholar