Hostname: page-component-78c5997874-ndw9j Total loading time: 0 Render date: 2024-11-08T05:22:26.585Z Has data issue: false hasContentIssue false

Migratory Choreography and Spaces of Resistance

Published online by Cambridge University Press:  12 May 2020

Abstract

This article examines dance pieces premiered in the Nordic countries at the height of the Syrian refugee crisis in 2015. Framed by the heated debates on current immigration policies, as well as prevailing tropes of a theater of migration and the figure of “the migrant,” the analysis centers on the potential for creating spaces of resistance in the encounter between choreographic performance and spectators. Drawing on analytical concepts such as migratory aesthetics and choreographic agency, the focus is on the interrelationship between the choreographic articulations of experience of migration and their materialization before an audience.

Type
Articles
Copyright
Copyright © 2020 Dance Studies Association

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Ahmed, Sara. 2000. Strange Encounters: Embodied Others in Post-Coloniality. New York: Routledge.Google Scholar
Albinsson, Mathilde. 2016. “Budskapstark mellanakt i Eurovision. Vi skapar värme och hopp.” SVT, May 5. Accessed November 20, 2018. https://www.svt.se/articles/grey-people-flykt-eurovision-song-contest-2016/.Google Scholar
Bal, Mieke. 2007. “Lost in Space, Lost in the Library.” In Essays in Migratory Aesthetics: Cultural Practices between Migration and Art-Making, edited by Durrant, Sam and Lord, Catherine M., 2336. Amsterdam: Rodopi.Google Scholar
Bal, Mieke, and Hernández-Navarro, Miguel Á, eds. 2011. Art and Visibility in Migratory Culture: Conflicts, Resistance, and Agency. Amsterdam: Rodopi Press.10.1163/9789042032644CrossRefGoogle Scholar
Bennett, Jill. 2011. “Migratory Aesthetics: Art and Politics beyond Identity.” In Art and Visibility in Migratory Culture: Conflicts, Resistance, and Agency, edited by Bal, Mieke and Hernández-Navarro, Miguel Á, 109123. Amsterdam: Rodopi Press.Google Scholar
Bhabha, Homi K. 1984. “Of Mimicry and Man: The Ambivalence of Colonial Discourse.” October 28 (Spring): 125133.10.2307/778467CrossRefGoogle Scholar
Brandstetter, Gabriele, Egert, Gerko, and Hartung, Holger, eds. 2019. Movements of Interweaving: Dance and Corporeality in Times of Migration. London: Routledge.Google Scholar
Bredsdorff, Thomas. 2016. “Christian Lollikes sympatiske flygtningeballet mangler modstanderne.” Politiken, January 30. Accessed August 29, 2017. http://politiken.dk/kultur/scene/teateranmeldelser/art5609420/Christian-Lollikes-sympatiske-flygtningeballet-mangler-modstanderne.Google Scholar
Christoffersen, Erik Exe, and Krøgholt, Ida. 2016. “Uropa – en asylballet.” Peripeti – Tidsskrift for dramaturgiske studier, February 12. Accessed August 29, 2017. http://www.peripeti.dk/2016/02/12/uropa-en-asylballet/.Google Scholar
Cox, Emma. 2014. Theatre and Migration. Houndmills, UK: Palgrave Macmillan.10.1007/978-1-137-00402-4CrossRefGoogle Scholar
Eurovision Song Contest Semi Finals 1. 2016. YouTube video. May 10. Accessed January 15, 2019. https://www.youtube.com/watch?v=nRR3ppOqBzw.Google Scholar
Fricker, Karen, and Gluhovic, Milija, eds. 2013. Perfoming the “New” Europe. Identities, Feelings and Politics in the Eurovision Song Contest. London: Palgrave Macmillan.Google Scholar
Gade, Solveig. 2019. “Acts of Collaboration and Disruption: Notes on the Asylum Ballet Uropa.” In The Routledge Companion to Theatre and Politics, edited by Eckersall, Peter and Grehan, Helena, 156160. London: Routledge.10.4324/9780203731055-39CrossRefGoogle Scholar
Hobbs, Robert. 2008. “Yinka Shonibare MBE: The Politics of Representation.” In Yinka Shonibare MBE, edited by Hobbs, Robert and Kent, Rachel, 2438. New York: Prestel.Google Scholar
Jesenković, Edhem. 2016. Republika. Dansehallerne, Copenhagen. February 2–9. Program.Google Scholar
Kershaw, Baz. 2001. “Oh for Unruly Audiences! Or, Patterns of Participation in Twentieth-Century.” Modern Drama 42 (2): 133154.10.3138/md.44.2.133CrossRefGoogle Scholar
Lepecki, André. 2015. “The Choreopolitical. Agency in the Age of Control.” In The Routledge Companion to Art and Politics, edited by Martin, Randy, 44–52. London: Routledge.Google Scholar
Martin, Randy. 1998. Critical Moves: Dance Studies in Theory and Politics. Durham, NC: Duke University Press.Google Scholar
Martin, Randy. 2008. “Allegories of Passing in Bill T. Jones.” Dance Research Journal 40 (2): 7487.10.1017/S0149767700000395CrossRefGoogle Scholar
Mors, Marie. 2016. Uropa. Dokumentations- og erfaringsrapport. Det Kongelige Teater. Accessed November 10, 2018. https://kglteater.dk/globalassets/files/om-os/corpus/uropa_rapport.pdf.Google Scholar
Noland, Carrie, and Ness, Sally Ann, eds. 2008. Migrations of Gesture. Minneapolis: University of Minnesota Press.Google Scholar
Nordstrøm, Andreas. 2016. “Flyktingtema i Eurovision-dans.” Arbetarbladet, May 10.Google Scholar
Pisket, Halfdan. 2014. Desertør. København: Fahrenheit.Google Scholar
Pisket, Halfdan. 2015. Kakerlak. København: Fahrenheit.Google Scholar
Pisket, Halfdan. 2016. Dansker. København: Fahrenheit.Google Scholar
Prickett, Stacey. 2016. “Constrained Bodies. Dance, Social Justice and Choreographic Agency.” Dance Research Journal 48 (3): 4558.CrossRefGoogle Scholar
Rancière, Jacques. 2010. Dissensus: On Politics and Aesthetics. London: Continuum.Google Scholar
Rancière, Jacques. 2013. The Politics of Aesthetics. London: Bloomsbury Academic.Google Scholar
Ritzau. 2019. “Smykkelov har på tre år ikke ført til et eneste smykke.” TV2/Nyheder, January 24. Accessed February 2, 2019. http://nyheder.tv2.dk/samfund/2019-01-24-smykkelov-har-pa-tre-ar-ikke-fort-til-et-eneste-smykke.Google Scholar
Shepherd, Jack. 2016. “Eurovision will give focus to the refugee crisis despite Sweden's stance on border control.” The Independent, April 4. Accessed January 30, 2019. https://www.independent.co.uk/arts-entertainment/tv/news/eurovision-2016-will-give-focus-to-the-refugee-crisis-despite-swedens-stance-on-border-control-a6965971.html.Google Scholar
Uropa.” 2016. Sort/Hvid. Accessed December 19, 2019. http://www.sort-hvid.dk/projekt/uropa/.Google Scholar
Vertigo Sea. 2015. Directed by John Akomfrah. London: Smoking Dog Films. Film.Google Scholar