Hostname: page-component-586b7cd67f-t8hqh Total loading time: 0 Render date: 2024-11-25T16:01:10.209Z Has data issue: false hasContentIssue false
  • English
  • Français

Martha Graham's Gilded Cage: Blood Memory—An Autobiography (1991)

Published online by Cambridge University Press:  26 March 2013

Victoria Phillips
Get access Rights & Permissions [Opens in a new window]

Abstract

Although scholars, including myself, use Blood Memory to quote Martha Graham as evidence, other academics and dancers themselves have asserted that Graham did not write or construct the “autobiography.” The cross-reading of archives uncovers the narrative history of the making of Blood Memory, and how Graham, editors, and handlers constructed and reconstructed the book. In conclusion, by reading Graham's extensive oral histories and early writings, both scholars and dancers can recover the voice of the choreographer and woman.

Keywords

Martha GrahamBiographyBlood MemoryAuthorship
Type
Articles
Information
Dance Research Journal , Volume 45 , Issue 2 , August 2013 , pp. 63 - 83
Copyright
Copyright © Congress on Research in Dance 2013 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Aloff, Mindy. 1991. “True Grit.” New Republic, December 9, 29–36.Google Scholar
American Historical Review. 2011. “Roundtable – Historians and the Question of Modernity.” 116(2): 653–714.Google Scholar
Anderson, Susan Heller. 1991. “Chronicle.” The New York Times, April 5, B5.Google Scholar
Barnes, Clive. 1968. “Martha Graham: A Legend Goes On.” The New York Times, June 16, D24.Google Scholar
Barthes, Roland. 1967. “The Death of the Author.” Image-Music-Text. New York: Noonday Press, 1999, 142–48.Google Scholar
Calder, J. Kent. 1996. “Order and Renewal: David Lawrence Chambers, Hiram Haydn and Lie Down in Darkness.” Journal of Scholarly Publishing 27(3): 171–82.Google Scholar
Campbell, John. 1997. “The Structure of Time in Autobiographical Memory.” European Journal of Philosophy 5: 105–18.Google Scholar
Casciato, Arthur D. 1980. “His Editor's Hand: Hiram Haydn's Changes in Styron's Lie Down in Darkness.” Studies in Bibliography 33: 263–76.Google Scholar
Daly, Ann. 1992. Untitled Review. Journal of American History 79(3): 1228–9.Google Scholar
de Man, Paul. 1979. “Autobiography as De-Facement.” MLN 94(5): 919–30.Google Scholar
Epstein, Joseph. 2007. In a Cardboard Belt! Essays Personal, Literary, and Savage. New York: Houghton Mifflin.Google Scholar
Feldman, Gayle. 1991. “Martha Graham ‘Revealing a Life’ in Fall Autobiography from Doubleday.” Publishers Weekly 238(19): 38.Google Scholar
Foucault, Michel. 1984. “What Is an Author? ”In The Foucault Reader, edited by Rabinow, Paul, 101–20. New York: Vintage.Google Scholar
Foulkes, Julia L. 2002. Modern Bodies: Dance and American Modernism from Martha Graham to Alvin Ailey. Chapel Hill, NC: The University of North Carolina Press.Google Scholar
Friedlander, Peter. 1998. “Theory, Method and Oral History. ” In The Oral History Reader, edited by Perks, Robert and Thomson, Alistair, 311–9. New York: Routledge.Google Scholar
Garafola, Lynn. 1993. Untitled review. TDR 37(1): 167–73.Google Scholar
Gardner, Howard. 1993. Creating Minds: An Anatomy of Creativity as Seen Through the Lives of Freud, Einstein, Picasso, Stravinsky, Eliot, Graham, and Gandhi. New York: Basic Books.Google Scholar
Graham, Martha. 1973. The Notebooks of Martha Graham. Edited by Wilson Ross, Nancy. New York: Harcourt Brace Jovanovich.Google Scholar
Graham, Martha. Blood Memory: An Autobiography. 1991. New York: Doubleday.Google Scholar
Grele, Ronald. 1985. Envelopes of Sound: The Art of Oral History. Chicago: Precendent Publishing.Google Scholar
Haydn, Hiram. 1974. Words & Faces: An Intimate Chronicle of Book and Magazine Publishing. New York: Harcourt Brace Jovanovich.Google Scholar
Heilbrun, Carolyn G. 1991. “Exceptions and Rules.” Women's Review of Books 9(2): 15–7.Google Scholar
Hodes, Stuart. 2006, V-2. Graham v. Graham: The Struggle for an American Legacy. (Unpublished manuscript).Google Scholar
Homberger, Eric. 2009. “Alfred ‘Pat’ Knopf: Co-Founder of the American Publishing House Atheneum.” The Guardian, March 2, 38.Google Scholar
Jacobs, Laura. 1991. “The Word on Graham.” Atlantic Monthly, November, 41.Google Scholar
Jones, Susan. 2009. “‘At the Still Point’: T.S. Eliot, Dance, and Modernism.” Dance Research Journal 41(2): 31–51.Google Scholar
Kuhn, William. 2010. Reading Jackie: Her Autobiography in Books. New York: Doubleday/Random House.Google Scholar
Landow, George P. 2006. “Reconfiguring the Author.” In Hypertext 3.0: Critical Theory and New Media in an Era of Globalization, 3rd ed.Baltimore, MD: Johns Hopkins University Press. pp. 124–143.Google Scholar
Lawrence, Greg. 2011. Jackie as Editor: The Literary Life of Jacqueline Kennedy Onassis. New York: St. Martin's Press.Google Scholar
Leatherman, LeRoy. 1966. Martha Graham: Portrait of the Lady as an Artist. New York: Alfred A. Knopf.Google Scholar
McDonagh, Don. 1992. “Martha Graham: Fiction and Fact.” Dance Chronicle 15(3): 349–60.Google Scholar
Mai, Fawzia. 1979. “Martha Graham: An Unforgettable Experience.” Jordan Times, August 28, 23.Google Scholar
Prevots, Namia. 1998. Dance for Export: Cultural Diplomacy and the Cold War. Middletown, CT: Wesleyan University Press.Google Scholar
Rapaport, Herman. 2001. The Theory Mess: Deconstruction in Eclipse. New York: Columbia University Press.Google Scholar
Said, Edward W. 1985. Beginnings: Intention and Method. New York: Columbia University Press.Google Scholar
Shapiro, David. 1984. “Art as Collaboration: Toward a Theory of Pluralist Aesthetics, 1950–1980.” In Artistic Collaboration in the Twentieth Century, edited by McCabe, Cynthia Jaffe. Washington, DC: Smithsonian Institution Press. pp. 45–62.Google Scholar
Silverman, Al. 2008. The Time of Their Lives: The Golden Age of Great American Book Publishers. New York: St. Martin's Press.Google Scholar
Smith, Sidonie, and Watson, Julia, eds. 1998. Women, Autobiography, Theory: A Reader. Madison, WI: University of Wisconsin Press.Google Scholar
Soares, Janet. 1992. Louis Horst: A Musician in a Dancer's World. Durham, NC: Duke University Press.Google Scholar
Stillinger, Jack. 1991. Multiple Authorship and the Myth of the Solitary Genius. New York: Oxford University Press.CrossRefGoogle Scholar
Stodelle, Ernestine. 1984. Deep Song: The Dance Story of Martha Graham. New York: Schirmer Books.Google Scholar
Thoms, Victoria. 2008. “Martha Graham's Haunting Body: An Autobiography at the Intersection of Writing and Dancing.” Dance Research Journal 40(1): 3–16.Google Scholar
Ware, Susan. 1998. Letter to the World: Seven Women Who Shaped the American Century. New York: W.W. Norton.Google Scholar