Hostname: page-component-cd9895bd7-jkksz Total loading time: 0 Render date: 2024-12-23T13:59:16.988Z Has data issue: false hasContentIssue false
  • English
  • Français

III. Transcending the Beardsleyans: A Reply to Carroll and Banes

Published online by Cambridge University Press:  22 July 2014

Gregory Scott
Gregory Scott
Affiliation:
New York University, New School University
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Dialogues
Information
Dance Research Journal , Volume 31 , Issue 1 , Spring 1999 , pp. 12 - 19
Copyright
Copyright © Congress on Research in Dance 1999

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Adshead-Lansdale, Janet, and Layson, June, eds. Dance History, 2nd ed. London/NY: Routledge, 1994.Google Scholar
Aristoxenus, . Elements of Rhythm [Elementa Rhymthica]. Translated by Pearson, Lionel. NY: Oxford University Press, 1990.Google Scholar
Banes, Sally. Terpsichore in Sneakers. 1980. Reprint. Middletown, CT: Wesley an University Press, 1987.Google Scholar
Barnes, Clive. “Blue Movies? Ho Hum.” New York Times (Feb. 16, 1969):20.Google Scholar
Beardsley, Monroe. “What is Going On in a Dance.” In Aesthetics: A Critical Anthology, edited by Dickie, George, Sclafani, R., and Roblin, R., 2nd ed., pp. 635–643. New York: St. Martin's Press, 1989. First published in Dance Research Journal 15/1 (1982): 31–37.Google Scholar
Carroll, Noël. “Post-Modern Dance and Expression.” In Philosophical Essays on Dance, edited by Fancer, Gordon and Myers, Gerald. Princeton, NJ: Dance Horizons, 1981.Google Scholar
Carroll, Noël, and Banes, Sally. “Working and Dancing: A Response to Monroe Beardsley's ‘What is Going on in a Dance.’” In Aesthetics: A Critical Anthology, edited by Dickie, George, Sclafani, R., and Roblin, R., 2nd ed., pp. 644–650 (see Beardsley). First published in Dance Research Journal 15 (1982): 37–42.Google Scholar
Carroll, Noël, and Banes, Sally. “Expression, Rhythm and Dance: A Response to Gregory Scott.” Dance Research Journal 30/1 (1998): 15–24.Google Scholar
Crawford, Joan. “Dance Material.” In Dance in Higher Education. Reston, VA: Monograph of the American Alliance for Health, Physical Education, Recreation and Dance, 1992.Google Scholar
Glueck, Grace. “Ballet: Brides and Turtles in Dance Program.” New York Times (May 13, 1965): 33.Google Scholar
Scott, Gregory. “Carroll and Banes on Defining Dance.” Dance Research Journal 29/1 (1997): 7–22.Google Scholar
Sparshott, Francis. A Measured Pace. Toronto: University of Toronto Press, 1995.CrossRefGoogle Scholar
Williams, C.F. Abdy. The Aristoxenian Theory of Musical Rhythm. London: Cambridge University Press, 1911.Google Scholar