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From Totenmal to Trend: Wigman, Holm, and Theatricality in Modern Dance

Published online by Cambridge University Press:  21 December 2018

Elizabeth Kattner
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Abstract

This article examines the development of theatricality in modern dance by comparing two dances: Mary Wigman's Totenmal (1930) and Hanya Holm's Trend (1937). By looking at the interplay between group and solo choreography, lighting design and themes, this paper will show how Holm combined the skills she learned codirecting Totenmal at the Dancers’ Congress in Munich to her work with American dance artists at the Bennington School of the Dance to create her first important work. It will examine why Trend was successful as a collaborative project, as well as show how it diverged ideologically from Wigman's work in the 1930s.

Keywords

WigmanHolmTalhoffTotenmalTrendTänzerkongressDancers’ CongressesBenningtonmodern
Type
Articles
Information
Dance Research Journal , Volume 50 , Issue 3 , December 2018 , pp. 20 - 37
Copyright
Copyright © Dance Studies Association 2018 

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