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Effacing Rebellion and Righting the Slanted: Declassifying the Archive of MacMillan's (1965) and Shakespeare's (1597) Romeo and Juliets

Published online by Cambridge University Press:  22 August 2017

Brandon Shaw
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Abstract

Archival evidence of Shakespeare's and Kenneth MacMillan's Romeo and Juliets evince patriarchal efforts to efface female rebellion. As Juliet, Lynn Seymour declassifies ballet through recalcitrant stillness and off-balance choreography. Patriarchal institutions enlisted Margot Fonteyn's classifying instinct to efface these balletic transgressions from the archive utilizing strategies corresponding to early modern textual editing practices.

Keywords

Archiveballetdance notationfeminismliterature and danceKenneth MacMillanLynn SeymourRomeo and JulietShakespeare
Type
Articles
Information
Dance Research Journal , Volume 49 , Issue 2 , August 2017 , pp. 62 - 78
Copyright
Copyright © Congress on Research in Dance 2017 

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